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Martin Scorsese Masterclass in Cannes

 

 

 

Documentary

NANA

Director: Serena Dykman.

At 22, filmmaker Serena Dykman had always known that her maternal grandmother, Maryla Michalowski-Dyamant, was an Auschwitz survivor, but she never dared or cared to inquire more about the Nana she had lost at 11. But after witnessing the terrorist attacks in Paris and Brussels, Serena decides to read her grandmother’s memoir and makes a startling discovery: More than simply a survivor, Maryla is revealed as a woman who devoted her life to fighting intolerance. Inspired, Serena embarks on a journey with her mother, Alice, and a film crew to retrace Maryla’s life, from her native town of Bedzin, Poland; to the horrors of Auschwitz, where she served as Dr. Mengele’s translator; to Brussels, where she emigrated after the war. Mother and daughter assume Maryla’s voice, reading excerpts of the memoir in front of key places from Nana’s past. As they encounter those who knew Maryla, it becomes clear that she touched countless people. Publicly speaking to new generations about her experience in the camps, Maryla strove to ensure that the horrors of the Holocaust would be neither forgotten nor repeated. The unexpected arrival of more than 100 hours of footage of Serena’s grandmother further enhances the portrait of Maryla, with the videos revealing her extraordinary personality, incredible strength, and inimitable sense of humor. Although a highly personal film, “Nana” also speaks to larger issues: the transgenerational weight of trauma and the necessity of Holocaust testimony continuing to be heard in the 21st century — a world where survivors are about to disappear and anti-Semitism and intolerance are on the rise.

Caminhos film Festival

The Caminhos Film Festival was stated in the latest editions as the reference event in the Portuguese panorama, the only festival dedicated in its competition, to the Portuguese cinema in various aspects, from the final draft film school, through animation , documentary, short film to feature film. Since 1988 we were privileged as an organization to see and live within the best of Portuguese national productions over the past twenty editions, but also to follow the progress of all the Portuguese film industry. We opened the event from Juniors, to seniors, to Film Schools, publishers and booksellers, all Portuguese production turning it in true showcase of national cinema in Portugal. A showcase, which has focused on bringing the creators to the publics, focusing on interaction at all levels.
 
O festival Caminhos do Cinema Português afirmou-se nas últimas edições como o evento de referência do panorama português, sendo o único festival dedicado, na sua competição, ao cinema português em várias vertentes, desde os projectos finais de escola de cinema, passando pela animação, documentário, curta-metragem até à longa-metragem. Desde 1988 tivemos o privilégio, enquanto organização de ver e (con)viver com o melhor da produção nacional portuguesa ao longo das últimas XIX edições, mas igualmente de acompanhar a evolução de toda a indústria cinematográfica portuguesa. Abrimos o evento aos Juniores, aos Séniores, às Escolas de Cinema, às editoras e livreiros, a toda a produção portuguesa transformando-o na verdadeira montra do cinema nacional em Portugal. Uma montra, que tem apostado em aproximar os criadores dos seus públicos, apostando na interacção em todos os níveis.
 
 
 

Awards & Prizes

Prémios da Selecção Caminhos 
- Grande Prémio do Festival 
- Prémio para a Melhor Longa-metragem 
- Prémio para a Melhor Curta-metragem 
- Prémio para a Melhor Animação 
- Prémio para o Melhor Documentário 
- Prémio Revelação 
- Melhor Actor 
- Melhor Actor Secundário 
- Melhor Actriz 
- Melhor Actriz Secundária 
- Melhor Direcção Artística 
- Melhor Fotografia 
- Melhor Guarda Roupa 
- Melhor Realizador 
- Melhor Caracterização 
- Melhor Montagem 
- Melhor Som 
- Melhor Argumento Original 
- Melhor Argumento Adaptado 
- Melhor Música Original
 
Prémio do Público 
- Melhor Filme
 
Prémio D. Quijote - Prémio da Federação Internacional de Cineclubes 
- Melhor Filme
 
Prémio Imprensa 
- Melhor Filme
 
Prémios da Selecção Ensaios 
-Prémio do Júri Ensaios Nacional; 
-Prémio do Júri Ensaios Internacional;
 
— 
Caminhos Selection Awards 
- Grand Festival Award 
- Award for Best Feature Film 
- Award for Best Short Film 
- Award for Best Animation 
- Award for Best Documentary 
- Breakthrough Awards 
- Best Actor 
- Best Supporting Actor 
- Best Actress 
- Best Supporting Actress 
- Best Art Direction 
- Best Cinematography 
- Best Wardrobe 
- Best Director 
- Best Characterization 
- Best Film Editing 
- Best Sound 
- Best Original Screenplay 
- Best Adapted Screenplay 
- Best Original Music
 
Audience Award 
- Best movie
 
D. Quijote Award - Award of the International Federation of Film Societies 
- Best movie
 
Awards Press 
- Best movie
 
Essays Selection Award 
- Best National Essay 
- Best International Essay

 

 

 

 

 

Rules & Terms

 
1.- Finalidades do Evento 
1.1.- Caminhos Film Festival têm como finalidade geral do projecto reforçar o acesso à cultura cinematográfica Portuguesa, promovendo a sua divulgação, os elementos para à sua comparação e compreensão. 
1.2.- Para além disso em cada edição o projecto deverá reforçar os laços de comunidade e identidade local existentes, promovendo a integração numa identidade e comunidade nacional.
 
2.- Objectivos Gerais e Definição Conceptual 
2.1.- O festival é idealizado por amantes e profissionais do mundo cinematográfico e visa dar visibilidade às diferentes produções nacionais. Os Caminhos Film Festival são um festival singular em Portugal dedicado exclusivamente ao cinema nacional, nos seus distintos registos técnicos e temáticos na secção competitiva Selecção Caminhos.
 
2.2.- Ao nível conceptual os Caminhos do Cinema Português caracterizam-se por uma amplitude de registos que são o fidedigno registo do panorama da produção cinematográfica nacional anual. A inovação do projecto está no facto de se proceder ao acolhimento num único espaço.
 
2.3.- Os Caminhos do Cinema Português pretendem ser aquilo que o nome transmite, a súmula dos diferentes caminhos que a cinematografia nacional percorre. Não existe um só caminho, disso mesmo nos damos conta quando os podemos enumerar, a saber: cinema de autor, cinema comercial, cinema para crianças e o vídeo arte. O cinema português enquadra-se nos mais variados escalões etários e registos estilísticos de que a história do cinema nos pode dar conta.
 
2.4.- A Selecção Ensaios, ao aceitar obras realizados em contexto de formação académica, nacionais e internacionais, pretende promover os elementos para a comparação e compreensão da cinematografia portuguesa no contexto global.
 
3.- Secções Competitivas, Júris e Prémios Oficiais 
3.1.- O festival Caminhos do Cinema Português é constituído por duas secções competitivas, nomeadamente a Selecção Caminhos e a Selecção Ensaios.
 
3.2.- As obras a apresentar em cada uma das secções competitivas serão o resultado de uma pré-selecção da responsabilidade da organização e de um júri expressamente convocado para o efeito, nos termos dos Regulamentos Anexos próprios de cada secção.
 
4.- Selecção Caminhos 
4.1.- Os filmes seleccionados para a Selecção Caminhos serão avaliados por um conjunto de júris e concorrem cumulativamente, quando reunidas as condições expressas nos Anexos ao Regulamentos de cada júri/selecção, aos seguintes prémios: 
-Prémios do Júri Caminhos; 
-Prémio do Júri de Imprensa; 
-Prémio Don Quijote / Júri IFSS – Federação Internacional de Cineclubes
 
5.- Selecção Ensaios 
5.1.- Os filmes seleccionados para a Selecção Ensaios serão avaliados por um júri e concorrem quando reunidas as condições expressas no regulamento desta secção, ao seguinte prémio: 
-Prémio do Júri Ensaios Nacional; 
-Prémio do Júri Ensaios Internacional;
 
6.- Outros Prémios 
Para dos prémios elencados, os filmes a concurso na Selecção Caminhos e Selecção Ensaios, concorrem igualmente ao Prémio do Público. Este prémio será entregue mediante o escrutínio e o cálculo da média aritmética ponderada expressa pelo espectadores, em boletim de voto próprio, no final de cada sessão na Selecção Caminhos e Selecção Ensaios.
 
6.- Casos Omissos 
6.1.- A Comissão Organizadora do festival reserva-se o direito de decidir sobre os casos não previstos nos diferentes Regulamentos, bem como proceder a necessárias alterações, dando conhecimento a todos os interessados.
 
7.- Disposição Final 
A inscrição para pré-selecção e participação nas diferentes secções competitivas (selecção Caminhos/ Selecção Ensaios) do festival Caminhos do Cinema Português XXI implica a leitura deste Regulamento OFicial bem como a aceitação dos Anexos específicos de cada secção.
 
Coimbra, 15 de Julho de 2015 
—— 
1.-Purpose of the event 
1.1.-Caminhos Film Festival have as general purpose of the project enhance access to Portuguese film culture, promoting their dissemination, the elements for the comparison and understanding.
1.2.-Plus in each issue the project should strengthen the bonds of community and local identity, promoting the integration in existing identity and national community.
 
2.-General objectives and Concept Definition 
2.1.-the festival is designed for lovers and professionals in the film world and seeks to give visibility to the different national productions. The paths are a unique festival Film Festival in Portugal devoted exclusively to national cinema, in its distinctive technical and thematic records in competitive Selection Paths section.
 
2.2.-Conceptual level the ways of the Portuguese Cinema is characterised by a range of records that are the trustworthy record of the annual national film production. The innovation of the project is that for the reception in a single space.
 
2.3.- Caminhos film Festival claims to be what the name conveys, summarising the different paths that the national cinematography traverses. There is no one way, that we realize when we can enumerate, namely: cinema, cinema, cinema commercial for children and video art. The Portuguese film fits in various age groups and stylistic records of the history of cinema in can handle.
 
2.4.-the selection Tests, by accepting works carried out in the context of academic, national and international training, aims to promote the elements for comparison and understanding of Portuguese cinematography in the global context.
 
3.-Competitive Sections, Juries and awards Officers 
3.1.-Caminhos Film Festival consists of two competitive sections, namely the selection Caminhos and the selection Essays.
 
3.2.-the works in each of the competitive sections will be the result of a pre-selection of the responsibility of the Organization and of a jury expressly convened for this purpose, in accordance with the regulations specific to each Attachments section.
 
4.-selecting Paths 
4.1.-The selected films for the selection paths will be evaluated by a set of judges and compete cumulatively when the conditions laid down in Annexes to the Regulations of each jury/selection, the following prizes: 
-Jury Awards paths; 
-Press jury prize; 
-Don Quijote Award/Jury IFSS-International Federation of film societies
 
5.-Selection Tests 
5.1.-The selected films for the selection tests will be evaluated by a jury and compete when the conditions expressed in the regulation of this section, the following prize: 
-Jury prize National Tests; 
-Jury prize International Trials;
 
6.-Awards 
For listed Awards, the films in competition Selection paths and Selection Tests, also compete for the prize of the audience. This prize will be delivered by the scrutiny and the calculation of the weighted arithmetic average expressed by viewers, in ballot itself, at the end of each session in selecting paths and Selection Tests.
 
6.- Missing cases 
6.1.-the Organizing Committee of the festival reserves the right to decide on the cases not provided for in the various regulations, as well as carry out necessary changes, giving knowledge to all interested parties.
 
7.-Final provisions 
Registration for pre-selection and participation in different competitive sections (path/selection Selection trials) of Caminhos do Cinema XXI Portuguese festival involves reading this official rules as well as the acceptance of the annexes specific to each section.

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addis nocturne

Director: MAXIMOFF Catherine.
Addis Ababa, capital of Ethiopia, XXIst century. In the light of neon or tropical heavens, Addis Nocturne is an ode for a musical treasure with contagious tones which few people know. Addis, its urban poetry, its night birds, its artists, is to be discovered through the sounds of its music. Live or recorded, the music hits of the discography collection Les Ethiopiques are in their natural setting. From its tiny bar up to the stage of a big festival, the powerful voice of the azmari singer Eténesh Wassié abolishes the borders.

Les Arrivants de Claires Bories et Patrice Chagnard. France 2009. Sortie salle le 7 avril.

user
Six mois à la CAFDA. Non, ce n'est pas une peine de prison ! La CAFDA c'est le centre de coordination pour l'accueil des familles demandeuses d'asile en France et  six mois, c'est le temps passé par les réalisateurs à suivre plus particulièrement deux assistantes sociales en charge de recevoir et d'aider ces familles, débarquant de tous les coins du monde et ne parlant ni un mot de français, ni deux d'anglais. Caroline et Colette sont confrontées tous les jours a  à ces arrivants to...

city oil

Rencontre avec Marc Wolfensberg, réalisateur de « la cité du Pétrole » (Oil Rocks-City about the sea )

user
    Suisse de nationalité, cet homme de 38 ans, père de quatre enfants,  au large sourire, est avant tout un journaliste et tiens à le rester pour pouvoir initier ses documentaires. Il a couvert l’actualité en ex Union Soviétique et au Moyen Orient pour plusieurs médias francophones, dirigé le bureau de l’agence de presse américaine Bloomberg à Téhéran de 2005 à 2007. Pour son premier documentaire, il nous emmène là où personne n’a jamais été autorisé à alle...

Rencontre avec Marc Wolfensberg, réalisateur de « la cité du Pétrole » (Oil Rocks-City about the sea )

user
   Suisse de nationalité, cet homme de 38 ans, père de quatre enfants,  au large sourire, est avant tout un journaliste et tiens à le rester pour pouvoir initier ses documentaires. Il a couvert l’actualité en ex Union Soviétique et au Moyen Orient pour plusieurs médias francophones, dirigé le bureau de l’agence de presse américaine Bloomberg à Téhéran de 2005 à 2007. Pour son premier documentaire, il nous emmène là où personne n’a jamais été autorisé à aller, su...

L'odyssée climatique du southern star - episode III - Pacific Attitude

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Director: ROBERT Thierry.

L'odyssée climatique du southern star - episode II - Un monde givré

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Director: ROBERT Thierry.

l'art délicat de la matraque

Director: jean-gabriel périot.
about the policemen's sensibility

Time of Legend

Director: Jose Sanchez Montes.
'Tiempo de Leyenda', Time of legend it is a documentary full of unseen images and videos which propose a journey to the origins of the adventure of recording the album La Leyenda del Tiempo, guided by its own protagonists, a group of artists that time has showed as geniuses, and met around a big Flamenco star to write one of the most brilliant and risky of the history of Spanish music

Yellow Fever Independent Film Festival 2013

 

Yellow Fever Independent Film Festival (YFIFF) is the gateway for new, independent and undiscovered filmmakers which takes place each year in Belfast, Northern Ireland. http://theyfiff.webs.com/
 

Designed and organised by award winning film maker George Clarke, the YFIFF is the first of its kind in Northern Ireland and has the dedication and drive to grow larger and larger every year!

The first 4 years have grown with guests coming in from Hong Kong, Mexico, LA, Canada, Italy, the UK and Ireland, with great results! Now the YFIFF has settled in one of the largest and most central cinemas in Northern Ireland the Movie House Cinema, Dublin Rd, Belfast. It is fast becoming one of the top events in NI for film fans... 

 

The YFIFF began is 2009 by Yellow Fever Productions. A Northern Ireland based Company who has received recognition worldwide through festivals and media for their very low budget but awesome films. including, Splash Area, The Knackery, Battle of the Bone and The Last Light.

6th - 8th September 2013

The YFIFF each year hosts some special guests who give workshops and Q&A's with festival goers, in 2012 guests included prolific Hollywood Director Albert Pyun and Hong Kong Producer Mike Leeder.

The Festival runs for three days Fri-Sun and will showcase all genre of independent films including 'Shorts by shorts' a 16 and under category for young film makers.

This year the Festival will close with a high profile gala dinner awards ceremony with celebrity guests.

 

Submission forms by email request theyfiff@yellowfeverproductions.co.uk

 

Open to all Film Makers. Submit up to 3 films for the price of 1 (Just £10). Any Length, Any Genre.

Please note - Film must either be in English or have English subtitles.

Awards Include

 

Best Actor
Best Actress
Best Director
Best Short
Best Feature
Screening of Recognition
Audience Choice
Best Animation
Best International
Best Local
NEW** Best Short-By-Short (<16)

http://theyfiff.webs.com/

or drop us a line at - theyfiff@yellowfeverproductions.co.uk

SUBMISSION CALL DEADLINE 30th July 2013

DOCUMENTA MADRID INTERNATIONAL MADRID DOCUMENTARY FESTIVAL

Documenta Madrid is an international film festival dedicated exclusively to documentary film. Its offices are located in the capital of Spain and it is organized by the City of Madrid. It is presently the city's most widely-attended festival.

The festival was born for the purpose of strengthening and disseminating the documentary genre, in so far as it understood to be a reflection of the social, cultural, economic, artistic, environmental, and other realities that exist in the world.

From the selection of films, which is done exclusively using qualitative criteria and respect for any and all critical viewpoints of our surroundings, Documenta seeks to provide an annual meeting place for professionals, creators, and the public to whom the work is aimed.

Documenta is a continuously evolving festival and aspires to improve year after year as a showcase for the best in international documentary film, one which brings us closer to both the classics as well as the latest offerings in the genre. For this reason, we dedicate our attention equally to three general blocks of activities: screenings (in both public and private screening rooms, and conserving the original language and formats), parallel activities (publications, exhibitions, presentations, gatherings, round tables, DVD releases, etc.), and training activities (conferences, instructional classes, workshops, etc.).

Our understanding of the documentary is based on a dual commitment. Firstly, a commitment to aesthetics, which shows how present day documentary filmmaking breaks new ground in its language and form, thus distancing itself for the most part from the standardized norms. Secondly, we are convinced that non-fiction work makes us all more aware of the need to change the world in order to improve it. Our most intimate calling, our dream, is that by opening some windows to the world in each screening, we make an audience member aware of an issue, and thereby make that person reflect on it, make the issue his/her own, and perhaps then... do something about it.

Along with this wish, two other priorities for the festival are to further enjoy making Documenta Madrid a reality and to make the guests and attendees feel at home among us.

Full Frame Documentary Film Festival

The Full Frame Documentary Film Festival is an annual international event dedicated to the theatrical exhibition of non-fiction cinema. Each spring Full Frame welcomes filmmakers and film lovers from around the world to historic downtown Durham, North Carolina for a four-day, morning to midnight array of over 100 films as well as discussions, panels, and southern hospitality. Set within a single city block, the intimate festival landscape fosters community and conversation between filmmakers, film professionals and the general public.

Full Frame's mission is to support the documentary form and community by showcasing the contemporary work of established and emerging filmmakers and by preserving film heritage through archival efforts and continued exhibition of classic documentaries. The festival is also committed to building wider national and international audiences for documentary film and enhancing public understanding and appreciation of the art form and its significance.

LIDF - The London International Documentary Festival

Murgia Karst Phenomenon

Since 2007 the LIDF has worked to ensure that London is host to exciting, diverse, challenging and inspiring films from every corner of the world. The LIDF is committed to providing a platform for international documentaries and their directors. It does this by working with globally recognised partners and venues, such as the British Museum, the Barbican Centre, and the Royal Society of the Arts on a year-round programme of screenings and other events that includes the 10-day London International Documentary Festival.

The LIDF’s ongoing commitment to what it calls ‘Conversations in Film’ creates a unique kind of film festival. The films within LIDF are the starting point for a series of programmed ‘conversations’ – panel discussions and workshops – that bring diverse audiences together to go beyond the films themselves in order to engage with social, cultural and political issues in the company of policy makers, academics, journalists and other cultural commentators

Having celebrated its third year the LIDF is now looking forward to working with new partners and presenting another feast of film and debate in April / May 2010.

Voice of Jerusalem

Director: Ofer naim.
Those who remember Jerusalem in its splendor have called it the city of gold. It is a city remembered for its glorious past but with no future. Instead of dealing with the present, people remain involved in the past. This is what stands in the way of Jerusalem’s survival. What happened to “Jerusalem of Gold”? Is there any hope or solution to the problems surrounding Jerusalem? Which of the three religions should have the right to control Jerusalem? Should Jerusalem be the capital city? Maybe all that is happening in Jerusalem stems from the ”Jerusalem Syndrome” that causes one to lose touch with reality and ones stability. Did Israel and Jerusalem’s leaders suffer from this syndrome as well? This movie tries to answer many of these questions talking to a number of people from various walks of life in this unique city and through the many songs sung longingly about this city, over time.

Alice's 3-Minute Film Festival

Alice's 3-Minute Independent Film Festival
CALL FOR ENTRIES
DEADLINE FOR ENTRY: OCTOBER 19, 2009
OVER $10,000 IN CASH AND PRIZES
FREE SUBMISSION
 
Dedicated to everyone who dreams of being a Director!
 
Alice @ 97.3 radio in San Francisco announces Call for Entries for the seventh annual 3-Minute Independent Film Festival which will be held November 6, 2009 at the historic Bimbo's 365 Club in San Francisco. With over $10,000 in cash and prizes, extensive radio exposure and more, this season's juried competition offers filmmakers a unique opportunity to showcase their 'short' cinematic masterpiece and be honored in an evening that celebrates the art of short film. Over the last 5 years, more the 100 short films have been screened at Alice's 3-Minute Film Festival with over $70,000 in cash and prizes awarded. We are looking forward to receiving more innovative and creative works for our 2009 festival.

Alice's 3-Minute Independent Film festival is looking for short film submissions in the following categories:
  • Drama /Documentary
  • Comedy
  • Animation
  • Original music video

    The only limit to creativity is the running time of your film. Your short film must be 2 - 5 minutes long. The running time does not count closing credits, so your film can run over 5 minutes if you're running closing credits. Deadline for submissions is October 19, 2009. Submissions are free. Enter today. Your film could be chosen and showcased at Alice's Film Festival on November 6, 2009 where an esteemed jury will choose the best overall film in each category to win cash and prizes in a special award ceremony at Bimbo's 365 Club in San Francisco. Good luck, we look forward to watching your film.

Archived festival (terminated)

How Long Winter Lasts in Romania

Director: Iris Ponkina.
"HOW LONG WINTER LASTS IN ROMANIA" is an observational travelogue through contemporary romanian cities and countryside in the wintertime. Fragments of "Mioritza", the romanian national ballade intermingles with Jonas Mekas poetic visions. Romania, a land of contrasts, on the promising doorstep of European Union still seems to be in a state of post-communist syndrome. Romania's resemblance to Lithuania intrigues questions and skepticism. Winter as a metaphor is I.Ponkina's debut short film.

Renderyard Short Film Festival

 Renderyard Short Film Festival we are pleased to announce we are now accepting films that are between 1 min and 12 min in length for the festival. Submit your film to this years festival to be in with a chance of winning prizes worth $1000.

Submit Your Films to www.renderyard.com

World Ocean Day Mini Film Festival

The World Ocean Day Mini Film Fest celebrates our oceans, coasts, and islands with short films of all varieties. Submissions are welcomed yearround and annual deadline for the June festival is May 30.


Archived festival (terminated)

All Sports Los Angeles Film Festival

Whether it is a dramatic or comedic piece, we want screenwriters and filmmakers to share their great stories in regards to the world of sports. We felt that creating this festival would give the many sports fanatics out there an outlet for their love of competition.
 
Some people have asked us to define "sports." Well, we want to include any subject matter that deals with mental and physical competition for the sake of winning a prize (and not killing anyone along the way to do it). So we're ready to watch and read any stories from auto racing to badminton and spelling bees to chess.

Archived festival (terminated)

Youngcuts Film Festival

YoungCuts Film Festival is the Premiere Showcase of Great Short Films by the World's Best Young Filmmakers.

The Festival features short films under 30 minutes long produced by emerging filmmakers under 30 years old and serves as a launch pad for filmmaker careers, providing exposure and recognition for some of the most exciting new talent from around the globe - student film makers and non- student film makers alike.

 

Established in 2001, every year, the festival selects its Top 100 International Short Films from more than a thousand films from over 30 countries.
 
Unlike many film festivals, YoungCuts is not a black box. For filmmakers making paid submissions, we offer feedback when and where appropriate; we present their short films to our film industry partners including producers, distributors and programmers - this has led to short films being presented on TV, licensed for outdoor festivals and programmed by other film festivals who view us an expert on short films by young filmmakers. With your paid submission, you also gain privileged access to watch, vote and be inspired by great short films from young filmmakers around the world.

ITVFest - International Television Festival

The International Television Festival, is the premiere festival in the world for independently produced TV pilots, WebContent and Digital Features, in both live-action and animated mediums. In 2012, ITVfest will run concurrently with the 1st Annual 'Pop Con LA', the Popular Culture Convention. Always at the forefront of technology and entertainment trends, ITVfest prides itself on being for and about the creators of quality Content. ITVfest gives finalists unprecedented access to network with industry professionals. Technologically savvy and forward thinking, ITVfest is the place to jumpstart a career in both television and new media.

Dijon International Adventure Film Festival

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The Festival seeks to select the finest recently-produced documentaries from all over the world relating to any kind of adventure: polar expeditions, mountaineering, exploration... any subject embodying the spirit of adventure.
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