ME: What was the inspiration of the film? Was it based on personalexperience? I mean, did you ever wake up to find your family jewels missing? lol!
CHRIS: haha... some of it. The film is actually based on a book ("Life Is A Strange Place" by Frank Turner Hollon) but the character was so flawed in such a real way... such an identifiable way for a guy my age that I did relate to some of his quirks and couldn't help but add a few of my own lame and somewhat embarrassing personalty ticks to the character as well ( however, I haveno desire to share which ones are mine!! :)
ME: Can you tell us about your books and what it is like to go from book writing to screenwriting to director?
CHRIS: It was a real joy to adapt thisbook. The characters were so well drawn and so unique that it was a real treat not only for me but i think for the actors to live in these skins for a while. Shooting the film was an amazing experience. I had an amazing crew who were equally passionate about the film and the most supportive cast a director could hope for. Of course, there were roughmoments (as is the case with any independent film I suppose) but every one of them taught me so much and I came out of the experience so much more confident than when I arrived at the project.
ME: What do you hope to see with this film? Any message you want to send to your viewers?
CHRIS: God, I just want the damn thingseen. Haha. The indie world is a crazy place right now. A friend told me when I was first trying to get "Barry" off the ground that thereare three miracles in making a film. 1) Getting it made. 2) Having it not be a giant piece of poo. And 3) getting anyone to see it. I got number one down, feel fairly confident about number two, so I am crossing my fingers for number 3. We have distribution with Magnolia so that is a step in the right direction.
ME: What are your plans now? Ideas for future projects?
CHRIS: Well, I also wrote a musical during the time I was setting up "Barry" that is on Broadway right now and I had such an amazing experience with it that I am developing a couple possible theater projects currently. However, I am always looking for the next writing/ directing gig so hopefully I will get backbehind the camera again really soon.
ME: How hard was it to make your first film?
CHRIS: Short answer. Yes.... very much so. Getting the thing made was tremendously tough. Shooting it... incredibly easy. Post production... incredibly tough. Getting into festivals... you are at the mercy of the personal taste of a small group so that whole journey is a bit of a crap shoot. We lucked out andmade our premiere at South By Southwest which I can say after being there (and being at other very prestigious festivals) it is the best place we could have ended up. The city of Austin loves movies and musicin a way that no other film festival location does. period. So that was a real joy. So basically, like anything, there were highs and lows. All you can hope for is that when the dust settles you feel likeyou had more highs than lows and in the best case scenario you get to end on a high. I feel like we got to do that with "Barry" to some degree.
ME: Can you give is an idea of where you think American indie film going today?
CHRIS: That is a tough one. If I am being honest it feels a bit broken at the moment. The day of the maverick independent doesn't really exist anymore and the indie scene kinda feels like it is on life support. There are a few filmmakers still able to get funding for their "art movies" but most financiers aren't putting up money for non-commercial ideas. The fact is, a filmmaker has to jump through just as many hurdles to make a 3 milliondollar movie as they do to make a 40 mill studio movie so what is the incentive? Indie buyers are looking for stars and genre films just like the studios... if not more so. So for a quirky romantic comedy with no "A list" actors (and by "A list" we all know I don't mean "greatactors" because my film for example has amazing actors with lots of critical success, but by "A list" in the indie sense I mean actors who mean something to the foreign markets) a filmmaker has enormous hurdles to climb. You want money to make your film today? It better be a Horror movie OR it better star somebody who will mean a great deal to audiences in Turkey when it is finished a year from now. That is the reality facing most independent filmmakers.
ME: And saving the best question for last, can you tell us about you? Who is the real Chris D'Arienzo?
CHRIS: Me? I grew up part of my life in a small farm town in rural Michigan and the other part on the east coast with my mom in cities likeNYC, Philly, and DC. So I had a healthy dose of both cosmo living and some really small town living. And I loved it... wouldn't change any of it. I gained so much from having both experiences in my life. I moved to LA right out of college. Wanted to be an actor but sucked at auditioning so I did what everybody does when they arrive in LA... I wrote a script. Then I threw it in a drawer. Forgot about it. Then became friends with a very successful screenwriter who read my script and liked it enough to help me get an agent. From there I just kicked around, doing studio rewrite gigs until I decided I didn't really like that. I then formed a band with some friends, toured the country playing music, and while I did that I wrote "Barry Munday." And then ended up here.... writing interview questions to you!
ME: Thanks a million Chris! You rock! Now Im off to interview Lynch! LOL!
See Barry Munday, coming soon to a theater near you!
Interview by Vanessa McMahon
