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Enjoy the best of both worlds: Film & Festival News, exploring the best of the film festivals community.  

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Submit to The Nashville Film Festival

SUBMIT YOUR FILM

The call for entries for the 2015 Nashville Film Festival is now open. Make sure to enter your film today. We offer cash and prizes valued at over $54,000 and qualify Live Action, Animated and Documentary Short Films for Academy Award™ consideration.

 

 

 

If you’d prefer to enter via mail-in form, please download our Call for Entry 2015 entry form.

FILM COMPETITIONS 

NaFF provides its community with innovative, inspiring, and culturally diverse film programs by celebrating the latest and best works of filmmakers from all over the globe. Competitive programs for feature filmmakers are:

  • Narrative Feature Competition
  • New Directors Competition for narrative features
  • Documentary Competition
  • Gibson Music Films/Music City Competition for documentary features
  • Tennessee Spirit Competition for Tennessee-based filmmakers.

Competitive programs for shorts filmmakers include:

  • Best Narrative (qualifies for Academy Award™ consideration)
  • Best Animated Short Film (qualifies for Academy Award™ consideration)
  • Best Documentary Short  (qualifies for Academy Award™ consideration)
  • Best Experimental Short
  • Best College Student Short
  • Young Filmmakers Competition for filmmakers under the age of 18.
  • Tennessee Narrative Short
  • Tennessee Documentary Short.

ENTER YOUR SCRIPT REGULAR DEADLINE ENDS 9/23

submit

ISA Submit Here

SCREENWRITING COMPETITION CONTACT 

Competitions Manager: Josh Escue
josh@nashfilm.org

 

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(M21 Entertainment editor: filmfestivals.com 's editor)

Bulletin Board Service description

This service was created in 1997 and quite rapidly became a reputed stop for filmmakers in search of festivals best suited to their film and for festival directors to receive an increased number of film submissions from around the world.

Hundreds of festivals have used it, over hundred thousand filmmakers have used it.
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