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Martin Scorsese Masterclass in Cannes

 

 

 

Calling entries for FIPRESCI Grand Prix for the best film of 2024, 70 minutes and more

  Calling entries for FIPRESCI Grand Prix for the best film of 2024, 70 minutes and more  FIPRESCI extends this invitation to you to film-makers to submit films (70 minutes and above) for the annual FIPRESCI India Grand Prix Award for the year 2024. About the Award: The Grand Prix Award, instituted by FIPRESCI-India (the India chapter of the International Federation of Film Critics: FIPRESCI) seeks to celebrate and recognize outstanding achievements in fiction and non-fiction f...

LoveYaPa, Review: The mobile phone as Pandora’s Box

LoveYaPa, Review: The mobile phone as Pandora’s Box Those who are uninitiated might not realise that the title is a variation of siyapa, which means chaos or jiggery-pokery, and that siyapa itself comes from the Urdu word, siyah, meaning black, or dark. Siyapa has been used in the title of a film some years ago. So the makers of LoveYaPa have come up with this three-word composite term, standing for Love Ya and Pa. Translate these three words, and you get Love Or Pa (father). Clever, ve...

Srilankan film The Other Half, Review: Death, despair and despondency

Srilankan film The Other Half, Review: Death, despair and despondency In the opening titles, the carries a long message about Srilankans dying of kidney failure, caused by the wide use of contaminated or sub-standard fertilisers and pesticides. As many as 50,000 of them have lost their lives due to such poisoning, and continue to die, making it a tragedy equal to, or perhaps even greater than the Civil War that ravaged the island state in recent decades. This makes you wonder whether a docume...

Saudi Nights, A Report: The ecstasy and the agony

Saudi Nights, A Report: The ecstasy and the agony If the mountain will not come to Mohammed, Mohammed must go to the mountain, goes the adage. Since Saudi Arabian films were not coming to India, I went to Saudi Arabia in 2023, to attend the 2nd Red Sea International Film Festival (RSIFF), in Jeddah, Saudi Arabia. There, I saw Saudi Arabian, and many other films, from all over the world, in what was one of the grandest, most hospitable film festivals I have ever attended. And no, I have never ...

Deva, Overview: Different, not distinguished

Deva, Overview: Different, not distinguished It is different. Though the central character is an Assistant Commissioner of Police (ACP), and a tough nut at that, the film has a modest littering of corpses and a very few incredible, blood-letting or torture sequences. Based on these very qualities, Deva, which is almost poles apart from the spate of current films that are contrary to this approach, should be welcomed. Moreover, it stars Shahid Kapoor, who is yet to be labelled a hit man, most ...

Ilu Ilu 1998, Review: Too many luse ends

Ilu Ilu 1998, Review: Too many luse ends A good 38 years ago, in a Hindustani hit film titled Saudagar, lyricist Anand Bakhshi coined a sensible nonsensical term in one of its songs, which began with Ilu Ilu, the three letters of the alphabets, standing for I Love U. It was a runaway hit. The song lived in the memory of a unit of Marathi film-makers, who might have been just born then or in their early childhood. Cut to 2025. A Phalke family (any possible connection with the father of Indian ...

FICCI FRAMES 2025, 01: Ayushmann Khurrana appointed brand ambassador

FICCI FRAMES 2025, 01: Ayushmann Khurrana appointed brand ambassador Calling him the Face of the Media and Entertainment Industry of India, FICCI (Federation of Indian Chambers of Commerce and Industry) FRAMES has appointed actor-singer Ayushmann Khurrana the brand ambassador for the event. This is a first for the event, which has not had any personality as brand ambassador in its previous 24 editions. Usually held in March, FICCI has yet to announce the dates for this year’s edition. ...

SkyForce, Review: May the Force be with you

SkyForce, Review: May the Force be with you That is more like it. When you are making a film about war and real wartime heroes, stick to the basics and let jingoism take a back seat. We have had more than our fair share of war movies, with Indo-Pak conflicts dominating the screen. Many have set their tales in British India, going back up to 200 years. Yet others have flashed back a good 1,000 years, to reawaken the history of Muslim/Mughal rule over our country. SkyForce narrates the story of...

Overview, Game Changer: The Collector, his sideways sidekick, the CM and the game of musical chairs

Overview, Game Changer: The Collector, his sideways sidekick, the CM and the game of musical chairs It used to be ‘the end justifies the means’, and the end was always the turnstiles. So, the end was always the same, only the means, or the ways of getting there, were different. Then it became ‘the means are the same, since the end is the same’. So we had similarity in approach too, with only a semblance of difference. Finally, we have reached a stage where ‘the t...

LoveYaPa, Trailer and song launch: Aamir dominates press and fan meet, speaks with characteristic candour

LoveYaPa, Trailer and song launch: Aamir dominates press and fan meet, speaks with characteristic candour It was a roller-coaster ride for the attendees, and a personal nostalgia trip for me, when the title song and trailer of the forthcoming film, LoveYaPa (a pun on Love or Pa), releasing on 07 February, the week preceding Valentine’s Day, in the presence of media and fans. The day was today and the venue was New Excelsior Cinema, now under Mukta A2 ownership, and the time was…w...

Love is Forever, Overview: Unrequited love, unimpressive expression

Love is Forever, Overview: Unrequited love, unimpressive expression If one were to take a count of films made on the theme of love, in all its splendour, one might find that the overwhelming majority of films made in the past 100 years have love at their core: filial love, maternal love, paternal love, love between spouses, flirtation, love as lust, love as a pursuit, patriotic love, spiritual love, love of a game, platonic love, sublime love, triangular love and unrequited love, are some exa...

Third Eye Asian Film Festival opens its eyes for the 21st time on January 10

Third Eye Asian Film Festival opens its eyes for the 21st time on January 10 A regular fixture for Mumbaikars and environs inhabitants, a hallmark of Maharashtra's film culture, the Third Eye Asian Film Festival will be held from January 10th to January 16, 2025, in Mumbai and Thane, at the outskirts of Mumbai city. A curated selection of 61 films will be screened at MovieMax Theatres in Andheri, Sion, and Thane. The festival will open with the Chinese film 'The Black Dog', which ...

The Heist, by M.K. Shankar: Screenplay-dialogue book review

The Heist, by M.K. Shankar: Screenplay-dialogue book review Not many directors/writers publish the screenplay of a film they could not, or did not, make. So, it was surprising when M.K. Shankar, who I first met some 33 years ago, presented me a copy of The Heist, recently. The screenplay of The Heist-One World One Government, is not to be confused with The Heist, a 2024 Hindi-language crime thriller film, directed by Aditya Awandhe, starring Nad Sham, Suman Rao and Siddhanth Kapoor. The scree...

Sky Force trailer launch: Aerial action beyond enemy lines

Sky Force trailer launch: Aerial action beyond enemy lines After a spate of films about military engagement and espionage across the border, we have a movie that rises in the air and traces the action of the air force, in 1965. The film is titled Sky Force and its trailer was launched last week at the PVR Cineplex at Juhu, Mumbai. Starring Akshay Kumar and Sara Ali Khan, the film introduces Veer Paharia, an assistant director who graduates to a romantic lead with the film. Akshay and Veer wer...

Our Guest from the Future, Review: Russian Film Festival stutters at the end

Our Guest from the Future, Review: Russian Film Festival stutters at the end Our Guest from the Future was the closing film of the Russian film festival, held during December 12-15 at Cinépolis, Andheri West, Mumbai. It attracted almost double the capacity of Auditorium No. 4, the day being Sunday, a weekly holiday here. That caused an inordinate delay in starting the film. Finally, the film was screened, and, sadly so, it was the only weak link in the five film package. Although it wa...

Ice 3, Review: Russian film festival’s six-pack of ice

Ice 3, Review: Russian film festival’s six-pack of ice While Mumbaikars were still mulling to dig into their winter-wardrobe, the Russian Film Festival laid out the white carpet, with huge sheets of ice several kilometres long, for the film was set in the freezing north. Mumbai’s winter would make us blush when compared to North Russia, where the temperatures can be much lower 0 degrees Celsius. This was of course, with solid reason. The fifth of their six-film package, Ice 3, was...

Pirates of the Barracuda Galaxy, Review: Russian Film Festival maintains its tempo, with adrenalne online

Pirates of the Barracuda Galaxy, Review: Russian Film Festival maintains its tempo, with adrenaline online Missing out on just one film so far, I have seen three of the four films screened, at the ongoing Russian Film Festival, at Cinépolis, New Link Road, Andheri West, Mumbai. The festival began with the wrestling film Triumph, on 12th December, I could not make it in time for the second film, The Flying Ship, on the 13th. My review of Triumph was included in the coverage of the film ...

Mahayogi-Highway 1 to Happiness, Review: An impassioned monologue for universal peace and tolerance

Mahayogi-Highway 1 to Happiness, Review:  An impassioned monologue for universal peace and tolerance There are films and there are films. Some are routine, masala, formulaic films, and there are path-breaking, experimental films, off the beaten track. There are also films that can barely be called films. These are genre-defying (which is the experimental part) and grammar-denying (which is the indulgent part). Mahayogi-Highway 1 to Heaven (English) is one such film. 90% of the film is a ...

IFFI 2024, 22: Nithya Menen and the Power of Nuance

IFFI 2024, 22: Nithya Menen and the Power of Nuance National award-winning actress, Nithya Menen, shared her insights into the art of acting, at the 55th International Film Festival of India (IFFI). Known for her nuanced performances in films like Thiruchitrambalam and OK Kanmani, the National Awardee spoke about the power of subtlety, the importance of emotional authenticity, and the challenges that come with portraying complex, real-world characters. Nithya began by reflecting on her pr...

IFFI 2024, 21: Karkhanu, Rador Pakhi and Google Matrimony

IFFI 2024, 21: Karkhanu, Rador Pakhi and Google Matrimony Karkhanu meaning Factory, was Gujarat's first Smart Horror Comedy, bringing the eerie Haunted Factory legend to life. On Kali Chaudas (part of the auspicious annual Diwali celebrations in India) night, three carpenters are trapped in a ghostly workshop, where bizarre events force them to uncover its secrets before it's too late. A thrilling mix of suspense, humour and horror. Rador (morning sunshine) Pakhi (birds) tells the tr...

IFFI 2024, 20: Kandhaar-The Battle of Silk Route, showcased at Film Bazaar

IFFI 2024, 20: Kandhaar-The Battle of Silk Route, showcased at Film Bazaar The grand trailer and first look of the web series, Kandhaar - The Battle of Silk Route, were unveiled at the Film Bazaar in Goa, conducted on the sidelines of IFFI. This magnum opus, a historical drama set in the Himalayan ranges of the year 1390, explores themes of valour, betrayal, redemption, and justice. Written and directed by Shahid Kazmi, the series weaves a tale of courage, resilience, and leadership. Set i...

IFFI 2024, 19: Quote hanger—Prasoon Joshi, Harsh Sangani and Kabir Naik

Ladakhi-language Short Film, Ghar Jaisa Kuch, directed by an independent director, Harsh Sangani. Opened the short film package at IFFI 2024, IFFI NO. 55, November 2024. The film explores the perpetual conflict between a person’s will to adhere to his inherited traditions and pursuing his future aspirations. The film has depicted this struggle in a unique way, where the spirits of the protagonist’s parents play a pivotal role in shaping the narrative. The plot has captured the lan...

IFFI 2024, 18: The Toppers, Winners all

At the 55th International Film festival of India, the following films, and casts, were awarded on the Closing session, held on 28th December 2024, afternoon. Democracy ruled, in that no entry won more than one prize. ‘Toxic’, Lithuania, won Golden Peacock, for the Best film, at IFFI 2024. Director, Saulė Bliuvaitė will share the Golden Peacock Trophy, a certificate, and a cash prize of Rs. 40,00,000, with the producer, Giedre Burokaite. The Jury praised the film for its d...

IFFI 2024, 17: Exposure, partial and full

Continuing and concluding my experiences of watching films at IFFI 2024, and walking out usually, after 30-40 minutes. MEETING WITH POL POT France, Cambodia (Kampuchea), Taiwan, Qatar, Turkey  Three persons credited with the Screenplay, one of them being the author of the book, When the War was over: Cambodia and the, Khmer Rouge Revolution, by Elizabeth Becker, which must have been the basis of the film. Directed by Rithy Panh. It was nothing like I had expected from the tile and the ...

IFFI 2024, 16: Quality of films seen and the recurring walk-outs

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IFFI 2024, 16: Quality of films seen and the recurring walk-outs You may find it incredible that I walked out of so many films, and I find it terrible that I had to. Never, in my living memory, have I walked out of so many films at any given film festival. IFFI 2024, however, took the cake. In the recent past, with films being polarised into block-buster, but inane, action extravaganzas and the well-intentioned small films that just do not have it in them to hold a viewer’s interest, ther...

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About Siraj Syed

Syed Siraj
(Siraj Associates)

Siraj Syed is a film-critic since 1970 and a Former President of the Freelance Film Journalists' Combine of India.

He is the India Correspondent of FilmFestivals.com and a member of FIPRESCI, the international Federation of Film Critics, Munich, Germany

Siraj Syed has contributed over 1,015 articles on cinema, international film festivals, conventions, exhibitions, etc., most recently, at IFFI (Goa), MIFF (Mumbai), MFF/MAMI (Mumbai) and CommunicAsia (Singapore). He often edits film festival daily bulletins.

He is also an actor and a dubbing artiste. Further, he has been teaching media, acting and dubbing at over 30 institutes in India and Singapore, since 1984.


Bandra West, Mumbai

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