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ÉCU-The European Independent Film Festival


ÉCU - The European Independent Film Festival is dedicated to the discovery and advancement of the very best independent films from around the world. We are a festival who believes in our independent filmmakers and their artistic talents. ÉCU proudly provides a unique platform that brings together diverse audiences who are hungry for something other than major studio productions and original and innovative filmmakers. 

 
The 16th edition of ÉCU - The European Independent Film Festival will take place on 9th-11th April 2021. Now open for submissions!

 

 

 

For more details regarding the festival, please visit our website at www.ecufilmfestival.com

 

 


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Meet Indie Filmmaker: THE LAST CIGARETTE

Article by Kaly Halkawt

 

 

NYU film student, Gabrielle Demeestere, who recently submitted her short The Last Cigarette to ÉCU 2010’s Non-European Dramatic Short category discusses the humorous side of smoking.

 

Q: Tell me briefly about your film?

The Last Cigarette is a short comedy I directed in my first year of graduate school at NYU film school. It tells the story of Lise, a French tourist, who finds herself alienated by her smoking habit in New York City.

Q: How did you come up with the idea for The Last Cigarette?

Our assignment at NYU was to come up with a four-minute film that takes place outdoors and without dialogue. I liked the idea of a tourist wandering around New York City dealing with small moments of alienation and observing the cultural differences around her. And comedy felt like the natural place to develop these observations of clashing perceptions and habits.

Q: What inspired you to create this film?

The actress who plays Lise (Amélie Vrla) has a Modigliani-like face and I thought it would be interesting to film her in an American environment. I also felt inspired by places in New York that I love, that have been around forever and are slowly disappearing in a more corporate and cleaned up Manhattan: East River Park, the outdoor mural at Veselka diner in the East Village etc. I wanted to play on the image of a disappearing, more bohemian Manhattan–before exercising and shiny gym outfits–and the idea of smoking seemed like the perfect metaphor to express the clash between the old and the new.

Q: Why did you choose to portray the French this particular way?

I’m half-French, half-American and grew up in Paris and I myself have a French tendency to take exception to American rules, which can sometimes seem overly rigid and slightly absurd (like jaywalking etc.) I thought there was a lot of humor to be found in those kinds of situations: Lise lighting her cigarette in an outdoor café where smoking is forbidden etc.

Q: When Coco Avant Chanel premiered in France the city of Paris banned the poster where Audrey Toutou is holding a cigarette. What are your thoughts about smoking on film?

A cinematographer once told me that smoking makes black and white film look beautiful. So there is clearly a visual and atmospheric quality to smoking on film. On the other hand, it’s a deadly habit and I can understand why some people think it shouldn’t be used for promotional purposes, on film posters etc.

Q: Why did you choose to film it in black and white?

I chose black and white to play up the idea of a disappearing, old Manhattan and was also hoping to give it both a poetic and an old Buster Keaton comedy feel.

Q: Tell me about your next or current project.

I’m currently in pre-production on my second year film at NYU, The Donut Hole, about a Russian woman who goes to Martha’s Vineyard looking for a husband, traveling with her 12 year old son. The film will be shot on super-16mm color film and explores the experience of Russian immigrant women in the US.

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About ÉCU-The European Independent Film Festival

Hillier Scott
(ECU)

 

 

Scott Hillier, Founder and President of ÉCU - The European Independent Film Festival
 
Scott Hillier is a director, cinematographer, and screenwriter, based in Paris, France. In the last 20 years, Hillier has gained international recognition from his strong and incredible cinematography, editing, writing, producing and directing portfolio in both the television and film industries.  
 
Scott began his career in the television industry in Australia. In 1988, he moved to London getting a job with the BBC who then set him to Baghdad. This opportunity led him to 10 years of traveling around world for the BBC, mainly in war zones like Somalia, Bosnia, Tchetcheynia, Kashmir, and Lebanon. After a near fatal encounter with a Russian bomber in Tchechnyia, Hillier gave up his war coverage and began in a new direction. 
 

He moved to New York City in 1998.  He directed and photographed eight one-hour documentaries for National Geographic and The Discovery Channel. Based on his war knowledge and experience, Hillier wrote and directed a short film titled, “Behind the Eyes of War!" The film was awarded “Best Short Dramatic Film” at the New York Independent Film and TV Festival in 1999. From that he served as Supervising Producer and Director for the critically acclaimed CBS 42 part reality series, "The Bravest” in 2002 and wrote and directed a stage play called, "Deadman’s Mai l," which ran at Le Théâtre du Moulin de la Galette in Paris during the summer of 2004. He then became the Director of Photography on a documentary titled, “Twin Towers." This was yet another life changing experience for Hillier. The riveting documentary won an Academy Award for "Best Documentary Short Subject" in 2003. In 2004, Hillier changed continents again, spending three months in Ethiopia. He produced “Worlds Apart,” a pilot for ABC America / True Entertainment / Endemol. As you can see, Hillier was and is always in constant movement and enjoys working in a number of diverse creative areas including documentaries, music videos, commercials, feature and short films.

 
Scott studied film at New York University and The London Film and Television School. He also studied literary non-fiction writing at Columbia University. Hillier's regular clients include the BBC, Microsoft, ABC, PBS and National Geographic. Between filming assignments, he used to teach film, a Masters Degree course in Screenwriting at the Eicar International Film School in Paris, France and journalism at the Formation des Journalistes Français in Paris, France. 
 

 


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