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Martin Scorsese Masterclass in Cannes

 

 

 

Créteil Festival International Films de Femmes: Palmarès

The winning films from the Créteil International Women's Film Festival in Paris were announced on March 21: Best film chosen by the public and jury went to Spain, a film about the cycle of violence in spousal abuse, to be released in France in July. Best documentary chosen by the jury went to France/Germany, a film about the forced 'relocation' of Native Canadian children to white families in Canada during the 1960's.
The Association of Women Journalists chose for best documentary a film on young lesbian women in Sweden.

26e Festival International Films de Femmes, Palmarès March 12-21.

Grand Prix du Jury et Prix du Public Meilleur long métrage fiction (Grand Jury Prize, Best Feature)
TE DOY MIS OJOS / TAKE MY EYES Iciar Bollain (Espagne - Spain) (106’)
Prix Canal + Meilleur court métrage (Canal + Best Short)
ZEKE Dana Buning (Etats-Unis USA) (14’)

Prix du jury Graine de Cinéphage ( Youth Jury Prize)
NA CIDADE VAZIA / ATTENDS, LA VILLE SERA VIDE
Maria João Ganga (Portugal-Angola) (90’)
Special Mention du jury Graine de Cinéphage ( Youth Jury)
GOLDFISH MEMORY Liz Gill (Irlande - Ireland), (85’)

Prix du jury Université Paris XII Meilleur court européen (University of Paris XII best European Short)
MEINE ELTERN / MES PARENTS Neele Vollmar (Allemagne - Germany) (18’)

Prix du Public L’Humanité Meilleur court métrage français (L'Humanité Public Prize Best Short, French)
LE LION VOLATIL Agnès Varda (France) (12’)

Prix du Public Meilleur long métrage documentaire (Public Prize, best feature documentary)
ONE OF MANY / LE VOL DE L’ESPRIT Jo Béranger, Doris Buttignol (France - Germany) (97’)

Prix du Public Meilleur court métrage étranger (Best short , foreign )
AURORA BOREALIS Lisbeth Dreyer (Norvège) (13’)

Prix de l’Association Beaumarchais Meilleur court métrage francophone (L'Association Beamarchais - Best short film French language)
A QUOI CA SERT DE VOTER ÉCOLO ? Aure Atika (France) (15’)

Prix AFJ (Association of Women Journalists) du meilleur documentaire (Best documentary
DU SKA NOG SE ATT DET GAR OVER / DON’T YOU WORRY IT WILL PROBABLY PASS Cecilia Neant-Falk (Suède- Sweden) (74’)

Prix du meilleur espoir féminin Marie Kremer ( Best actress)
pour sa prestation dans
"J'ai toujours voulu être une sainte" de Geneviève Mersch

Prix Le Manuscrit ( Best Screenplay)
Lauréate du Concours Ecrire au Cinéma LA FILLE PERCHÉE
Judith Lesur


Moira Sullivan, Nordic Correspondent

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(Filmfestivals.com)

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