Director: Michael Buckley.
Storyline: from Nomad to Nobody Motivated by previous travels to Tibet, the narrator sets off on a personal quest, focusing on the fast-disappearing Tibetan nomad culture. Why are the nomads being forcibly relocated by Chinese officials? Why are they are being shifted off their traditional grazing lands into concrete ghettos? In these settlement camps, nomads are marginalised and have little chance of making a decent living, or finding a new profession. Previously, when grazing yaks, they were self-sufficient and lived in an entirely sustainable way. Now, they are unemployed, and dependent on the Chinese government for hand-outs—and for food. Between 1995 and 2015, official Chinese policy has targeted the removal of more than two million Tibetan nomads from their land for settlement. In an era where sustainability is the mantra, Chinese policy makes no sense. This re-settlement policy is designed to wipe out nomad culture and its strong connections to traditional Tibetan values. Nomads are the stewards of the vast grasslands of Tibet—they have been grazing these lands with their yaks for close on 4,000 years. Without the nomads, the grasslands (already affected by climate change) will further deteriorate and turn into desert. This could have global impact, as these grasslands constitute an important carbon sink. What are the motives behind China's forcible settlement of Tibetan nomads on such a huge scale? Why are Chinese mining and dam-building companies moving into the same grassland regions? What happens to nomads after shifting to a semi-urban environment? What happens if they try to mount protests? What does the future hold for the vast grasslands of Tibet? These are questions the documentary sets out to explore, in this personal take on the plight of Tibetan nomads.

Director: Pierre Yves Clouin.
Once Mars is colonized, we must go to Alpha Centauri. - Ray Bradbury

Director: Chema Sarmiento.
Meet Tino, the main character in this comedy. He’s 17 and got something that makes him special: Down syndrome. The movie focuses on a critical part of his life and the circonstances under which he discovers love and its little worries. Tino studies at a Down institute in a spanish provincial city. His world revolves around his school mates on one hand and his sister, Licia and her group on the other hand. Not forgetting Baldo, his cousin, always asking him to bear messages in his trials with Elvira. Apart from their regular school activities, the Down students are rehearsing a theater play for year’s end. Tino is doing the main part along with Logio, his best friend. To him Tino confesses his love for Bego, a girl from the institute. Logio strategically recommends to attend the Church’s services that Bego loves in order to get closer to her. Tino implements the “plan” that proves successful. Baldo has to cope with a tough encounter with Elvira’s father and brother where he get beaten up. But not easily intimidated, he decides to elope with his beloved. Tino is being enlisted for the mission. He has to undertake a series of entertaining tests that enables him to step back from love attraction. Nonetheless, his first personal setback with Bego leaves him terribly disappointed. During a service, she refuses to sit beside him and sends him a terrible gaze. Fortunately, the disappointment doesn’t last long. Soon comes a new girl in town who captivates every boy’s attention in the bar where Tino often meets with his sister Licia. Nacho and Cruz, the two lady-killers of the band go crazy for her. To prove that they are irresistible, they bet on who’s going to conquer the “girl in green” (named Carolina). A few days later, while staring inside a cake-shop, Tino sees Carolina approaching in the window’s reflection. They start to chat and Tino gets the feeling he could win the bet initiated by the boys. He’s ready for any sacrifice like eating up cakes with her, spending all his savings, and so on. The affair ends one afternoon as the three candidates are given the same appointment by the girl (who was told about the bet). Each of the boys finds out they’ve been played. But Nacho and Cruz now realize that Tino is a grown-up man. Another day, Tino is walking in the street with Mina, a girl from his class who needs him to help her pick up a birthday gift. At a shop, they notice Logio and Bego passing by, hand in hand. As she observes Tino’s astonishment, Mina tells him that Logio approached Bego to let her know about Tino’s “plan”. Doing so, he could win her friendship and go out with her. The year’s end performance does not turn out as expected: with Logio not being on stage when his turn arrives, the last act seems jeopardized. As the general confusion is growing, Tino improvises a final that allows him to take his revenge on Logio and stir the audience’s warm applause. Tino has gained the confidence to take a fresh look on life.

Director: Mohamed Ramadan.
Souad (Solafa Ghanem) is a young nurse who falls in a one-sided love relationship with a comatose patient, Yoseif (Hassan El Kredly). She checks up on him regularly throughout the day. We watch how she deals with Yosief's case - will Yosief be able to communicate with her?

Director: Farzin Farzaneh.
Drat is a gothic tale of a woman living alone in a country house. Her solitary routine is disrupted when she suspects that some kind of animal is trying to invade her home. Her suspicion turns into obsession as she tries in vain to keep the creature out. These efforts, along with the woman's growing anguish, are the primary focus of film. The woman finally confronts the intruder in her basement; however, all is not well. The landscape surrounding her abode rustles and heaves restlessly, and the roots of a nearby tree threaten to crack the very foundations of the woman's house. This is the story of one person’s lonely attempts to hold on to the small haven that she has carved out of her environment, and to keep it secure against the outside forces of nature. To her chagrin, she finds that the natural environment does not always recognise her exclusive right to such comforts.

Director: Mirel Bran.
An actress wanted to play in Hitchcock’s “The Birds” but she didn’t succeed. Since then she has been seeing birds everywhere.

Director: Robert M. Herzog.
Based on an almost true but entirely surreal experience. In 1968, a college senior tries to finish his Harvard Law School Application, which would keep him from being draft bait, likely to fight in the Vietnam War. Fong and his roommates start making enormous paper airplanes, get stoned, set the planes on fire and launch them from a precarious roof. At the end of an intense, frenzied evening, a final decision propels Fong into an uncertain, potentially lethal future. Flights depicts the intense pressures of an era when ordinary rites of passage could have life and death consequences. It is a timely exploration of the impact of America at war, amidst a conflict between citizenship and morality.

Director: Tomáš Vaďura .
The Macocha Abyss is the biggest abyss of its kind in the Czech Republic and even in the Central Europe. It depth of 138m was a great challenge for both of the B.A.S.E. jumpers, Martin Trdla and Robin Kaleta. There was more than the jump which requires technical proficiency, there was the aim to show how easy and difficult it is to get prepared. At first sight it seems all the legal restrictions were broken for the humble thirst for fame and popularity, to be seen in a film. However, the jumpers wanted to point at absurdity of some rules and obstructions. The feature connecting the document to other ones by Jumps, o.s., the wish to lead nonspecialist audience through the backgrounds of B.A.S.E. While filming the unconventional documentary there were no fatal or other injuries to any members of the team, no harm to property private or state, and all the team behaved extremely carefully to protect the nature.

Director: Jean Counet.
This is usually where life begins and ends. We may have a peek at all its stages in a Latvian hospital. We get to know its patients, medical personnel, building layout and infrastructure as well as its atmosphere, heavily influenced by the hospital sounds and colours. A meeting place of people from different social strata, this is where friendships are formed and painful partings occur. The picture of a big hospital seems intimate and familiar, at the same time trying to capture the mystery of the place.

Director: Pierre Yves Clouin.
une fois mars colonisée, nous devons aller sur Alpha du Centaure. - Ray Bradbury Once Mars is colonized, we must go to Alpha Centauri. - Ray Bradbury

Director: David James Coe.
A scriptwriter lets his troubles creep onto the page of his latest Noir Thriller as he struggles to finish the film's final showdown between its detective and femme fatale.

Director: Kavanjit Singh.

On 31 October 1984, Indian Prime Minister, Indira Gandhi was assassinated by two of her Sikh bodyguards.

 

On 01 November 1984, riots erupted in Delhi. The mob swarmed into Sikh neighborhoods, killing any Sikh men, women & children they could find. The riots went on for next three days.

 

According to official figures, around 3000 Sikhs were killed and many more were rendered homeless.

 

JAGJEET is a film set in 1984 and looks at the guilt of a one man who left his childhood friend to die during the riots. The film captures three days of their lives. The first day is set in past where two best friends are in best of times. The second day is when riots took place in Delhi. The third and present day is set a week after riots.

Director: Gertjan Zwanikken.
The documentary Meat the Truth is the first major project undertaken by the Nicolaas G. Pierson Foundation. Meat the Truth is a high-profile documentary, presented by Marianne Thieme (leader of the Party for the Animals), which forms an addendum to earlier films that have been made about climate change. Although such films have convincingly succeeded in drawing public attention to the issue of global warming, they have repeatedly ignored one of the most important causes of climate change, namely: intensive livestock production. Meat the Truth has drawn attention to this by demonstrating that livestock farming generates more greenhouse gas emissions worldwide than all cars, lorries, trains, boats and planes added together. The Nicolaas G. Pierson Foundation chose to compile the best scientific information on climate change and livestock farming, which is presently available and to translate this for a broader audience. The film was produced by Claudine Everaert and Gertjan Zwanikken. The calculations on greenhouse gas emissions used in the film derive from and have been validated by the Food and Agricultural Organisation of the UN (FAO), the World Watch Institute, the Institute for Environmental Studies of the Free University Amsterdam and numerous other authoritative sources. Well-known Dutch celebrities, such as Anthonie Kamerling, Georgina Verbaan, Henk Schiffmacher, Yvonne Kroonenberg, Karen van Holst Pellekaan, Wim.T.Schippers and Dolf Jansen, participated in the making of the Dutch version of this documentary, which has already been deemed better than Al Gore’s An Inconvenient Truth by the science editors of the quality Dutch daily newspaper, the NRC Handelsblad. In the meantime, the Nicolaas G. Pierson Foundation has also produced an international version of Meat the Truth. This English language film is better tailored to an international public and uses calculations on the carbon savings that may be achieved by reducing one’s meat consumption based on American, rather than Dutch, examples. Many well-known celebrities, such as Pamela Anderson, Bill Maher, James Cromwell, Emily Deschanel, Tony Denison, Esai Morales, Megan Blake, Debra Wilson Skelton, Elaine Hendrix, Kate Flannery, Carol Leifer, Joy Lauren, Hal Sparks, Constance Marie, Kristina Klebe, Skyler Gisondo, Graham Patrick Martin, Greg Vaughan and Touriya Haoud Vaughan, participated in the making of the international version of the film. With this documentary, the Nicolaas G. Pierson Foundation hopes to make a contribution to the societal discussion about a more plant-based and thus also more animal-friendly diet and society. Moreover, the Foundation also anticipates that the film will provide a showcase for prominent scientific reports about livestock farming and climate change, which unfortunately have thus far proved inaccessible to the general public. The world premiere of Meat the Truth was held on 10th December 2007 in the Tuschinski cinema in Amsterdam. The international version of the film premiered at London's Odeon West End Cinema in Leicester Square on 19th May 2008 and has since also had its premiere screening in the USA at the Egyptian Theatre, Hollywood, LA during the Artivist Film Festival on 3rd October 2008.