Director: Dover Kosashvili.
The pivot point is an emotional and psychological triangle: a civil servant, Laevsky (Andrew Scott, appalling and appealing); his married mistress, Nadya (Fiona Glascott, a milky beauty); and a zoologist, Von Koren (Tobias Menzies, suitably rigid). The story gets going with Laevsky bitterly complaining about Nadya to an older friend, a doctor, Samoylenko (Niall Buggy). Laevsky claims to no longer care for Nadya, who, having left her husband, now inspires her lover’s contempt or, perhaps, fatigue. Like a caged animal, he wants out and claws at Samoylenko as Von Koren watches and seethes, stoking his loathing for Laevsky. For his part, by cutting to Nadya during Laevsky’s rant and capping the scene with a disapproving look from Von Koren, Mr. Kosashvili suggests that his own sympathies are divided.

Director: Daniel G. Cabrero.
Paris, 1926: the precocious skill and talent for dance of 6 yearold Spanish-emigrate Emma’s leads her to perform in front of Madame Gontcharowa, a former dancer of the Ballets Ruses and current teacher of Classical Dance at the well-known Théâtre du Châtelet. Madame Gontcharowa harnesses Emma’s raw talent helping her into the Petite Etoile du Châtelet but, at her artistic childhood’s pinnacle, and with all chances to become a great Classical dancer, Emma’s mother withdraws her from the theatre - shattering her dreams of becoming a professional dance-star. My Paths Through Dance is a coming-of-age, rags to artistic riches story which follows Emma’s journey to become the unique Spanish dancer Mariemma, and later the creator of the “Mariemma – Ballet de España”, the greatest Spanish Ballet ever. Mariemma’s paths through dance helped launching the careers of internationally renowned artists such as Antonio Canales, Enrique Morente, Elvira Andrés, Elio Berhanyer, Aída Gómez, Joaquín Cortés and Lola Greco amongst many others. All of her protégées appear in the film recounting their experiences alongside Mariemma and describe her invaluable contributions to dance, Spanish culture and history.