Director: Valdimar Jóhannsson.
The film deals with unexpected and unexplainable loss. Due to an accident, the life of a happy family turns into a larger-than-life tragedy. The film is based on a tale retold by Wilhelm Grimm.

Director: LAURA ANGIULLI.
“EASTWARDS” is the result of a long journey. Bosnia is the focus, with its cumbersome past and its present as much uncertain as controversial. Sarajevo, Mostar, Srebrenica, different solicitations coming out meeting people and their present and past history. Sarajevo is the capital. The memory became its political structure, and lights up consequent opportunities to reflection and debate. Mostar is symbolized by the Old Bridge, heart of a slow beat of a social and political life which fails to heat the peripheral wings of the city still shattered in the reality of ghettos, Croatians and Muslims. And finally Srebrenica, the town of women, the city of pain. 12,000 dead (institutionally they say 8372, but in reality missing people is 4000 more). Every year on 11th of July it takes place the big ceremony for the burying of the hundreds of bodies still found in mass graves newly identified. Hatidza Mehmedovic' is from Srebrenica, she is the main character of the movie. Only she could transmit the emotional charge affecting the director because of her ability to bear mourning (during the genocide of 1995 she lost her only two children, her husband, her brothers, her father..)

Director: Roger Walch.
David (Ted Taylor) comes to Japan for one week to study traditional legends. He is supposed to meet Professor Ozawa, a leading expert in the field. But when he arrives, he gets picked up by Ozawa's two female assistants, Sanae (Mimori Sento) and Manami (Sakiko Ikegami). They bring him to a traditional guest-house and accompany him during his stay. A strange man in the bath house (Kan Mikami) tells David about the local Tengu legend. Tengu are a class of well known monster-spirits with a long nose and a red face who live in the Japanese forests and mountains. David is immediately fascinated. But the more he finds out about the Tengu, the more he is drawn into his own past-life. As a matter of fact some Tengu legends can be connected to shipwrecked foreigners who were forced to live in hiding in the Japanese mountains during Japan's Sakoku (closed country) era (1637 - 1853). Ultimately, "Tengu" is the story of a Westerner who becomes the origin of a famous Japanese legend.