Le Giornate del Cinema Muto, XXVIII ed.: 3-10 October 2009
Von Stroheim´s MERRY WIDOW perks interest for GIORNATE opening
THE MERRY WIDOW (Metro-Goldwyn-Mayer, US 1925)
is the opening night film at the 2009 Giornate de Cinema Muto 200,
The Music
When I first accompanied The Merry Widow years ago, I was totally struck by this highly creative and inventive film adaptation of the operetta, di
THE MERRY WIDOW (Metro-Goldwyn-Mayer, US 1925)
is the opening night film at the 2009 Giornate de Cinema Muto 200,
The Music
When I first accompanied The Merry Widow years ago, I was totally struck by this highly creative and inventive film adaptation of the operetta, directed by the genius Erich von Stroheim. Immediately I realized that my “one” piano + singer accompaniment wasn’t at all enough to serve this brilliant film. I started a serious quest to develop a score for the...
THE MERRY WIDOW is the opening film ofthe 2006 Giornate de Cinema Muto.
Comments on The Music
When I first accompanied The Merry Widow years ago, I was totally struck by this highly creative and inventive film adaptation of the operetta, directed by the genius Erich von Stroheim. Immediately I realized that my “one” piano + singer accompaniment wasn’t at all enough to serve this brilliant film. I start
The Retrospective at the Berlinale this year was devoted to Luis Buñuel, an odd choice perhaps for the German capital, but exceedingly valuable as it offered viewers not only the familiar surreal landmarks of the 1920s and those from the end of his long career, but also a look at just about everything that came between, when the director was earning a living churning out all sorts of films in France, Spain, Mexico and the US as producer, uncredited director, and writer.Many of these have been f...
The Retrospective at the Berlinale this year was devoted to Luis Buñuel, an odd choice perhaps for the German capital, but exceedingly valuable as it offered viewers not only the familiar surreal landmarks of the 1920s and those from the end of his long career, but also a look at just about everything that came between, when the director was earning a living churning out all sorts of films in France, Spain, Mexico and the US as producer, uncredited director, and writer.Many of these have been f...
