Director: Lucienne Lanaz.
La vache, die Kuh, the cow, fermer la porte, die Türe zu, close the door. You certainly have never seen cows that way before.

Director: Craig Ford.
You would be forgiven for thinking that the shooting of Horror Bill was just like any other film shoot. Attention seeking actors, power mad Assistant directors, dodgy equipment. But when the actors start to die in a series of unusual ‘accidents’ we discover there are more sinister things going on here. Who is the Director? Why have only the Assistant Director and the deranged Production assistant met him? What’s really killing off the cast? Are they really accidents? How come the special effects look so good on this small budget horror? The answers to these questions all point to one sinister conclusion….One too terrible to mention here! All we can tell you is that Horror Bill is a very ‘Dark Film’!

Director: David GUIRAUD.
In the desert, a man is buried to his neck in the sand. One does not know anything about him. A young woman, naked under red veils, walks away without paying any attention to him. After getting out of his sand cradle, he will head for the horizon to meet his object of desire.

Director: PRATEEQUE OJHA.
The filmmaker is making a film on a real life incident from history and literature about a character called the Bhawal Sannyasi based on the book called the Princely Imposter. He is in the preprodcution stage when he gets the bad new that he can't shoot in the location he had selected during the recee stage, so his assistant advises him to compromise by shooting in available cheap village locales, which threatens to change his plot, but he has to go ahead with the shoot,so he does, sacrificing his relationship with a girl who is being pressurized by her parents to marry an architect, in the process. What happens to the lives of both the film maker and his protagonist unfolds in the film.

Director: Giuseppe Scavo.
The freelance reporter Alfredo Torrisi is exploring a war zone with his assistant. When Alfredo is in front of his camera for his report , he steps on a mine and gets trapped on it. Alfredo asks to his assistant to go search help. When Alfredo is alone, he looks at the camera and realizes that it’s shooting…

 

Director: Roger Walch.
David (Ted Taylor) comes to Japan for one week to study traditional legends. He is supposed to meet Professor Ozawa, a leading expert in the field. But when he arrives, he gets picked up by Ozawa's two female assistants, Sanae (Mimori Sento) and Manami (Sakiko Ikegami). They bring him to a traditional guest-house and accompany him during his stay. A strange man in the bath house (Kan Mikami) tells David about the local Tengu legend. Tengu are a class of well known monster-spirits with a long nose and a red face who live in the Japanese forests and mountains. David is immediately fascinated. But the more he finds out about the Tengu, the more he is drawn into his own past-life. As a matter of fact some Tengu legends can be connected to shipwrecked foreigners who were forced to live in hiding in the Japanese mountains during Japan's Sakoku (closed country) era (1637 - 1853). Ultimately, "Tengu" is the story of a Westerner who becomes the origin of a famous Japanese legend.