EXCLUSIVE: Robert Osborne On TCM's 31 Days of OSCAR, Judy Garland, & Surprisesby Quendrith Johnson, Los Angeles Correspondent When the Academy of Motion Pictures Arts and Sciences award show premiered in 1928, the industry was barely 31 years old. For this year's Oscar build-up, Robert Osborne will host his annual much-watched "31 Days of Oscar" on Turner Classic Movies, Feb. 1, at 10 PM (ET/USA). Robert Osborne: Keeper of OSCAR's secrets Known as The Official Biographer of The Academy Awar...

Faye Dunaway Proves She’s Hot and Still Has It in “Say it in Russian,” Opening  May 4th in Carmike Cinemas as part of Historic Independent Film SeriesHollywood, CA  FOR IMMEDIATE RELEASE--  Old stars don’t fay away, especially icons like Faye Dunaway, who recently locked horns with “Stepford Kid” Hilary Duff of Disney fame, who is reprising Dunaway’s Academy Award nominated role of Bonnie Parker in the remake of “Bonnie and Clyde.”  On May 4, 2009, Faye will have her rebutt...

The Berlinale is paying homage and awarding an Honorary Golden Bear to the pioneering American director Arthur Penn. From his roots in New York theater and live television to his landmark films of the 1960s, Penn established himself as a leading icon of the New American Cinema, with such films as THE MIRACLE WORKER (1962), MICKEY ONE (1965), BONNIE AND CLYDE (1967), ALICE’S RESTAURANT (1969), LITTLE BIG MAN (1970) and THE MISSOURI BREAKS (1976). In his distinguished 40 year career, the respect...

Saturday, February 10----The Berlinale is paying homage and awarding an Honorary Golden Bear to the pioneering American director Arthur Penn. From his roots in New York theater and live television to his landmark films of the 1960s, Penn established himself as a leading icon of the New American Cinema, with such films as THE MIRACLE WORKER (1962), MICKEY ONE (1965), BONNIE AND CLYDE (1967), ALICE’S RESTAURANT (1969), LITTLE BIG MAN (1970) and THE MISSOURI BREAKS (1976). In his distinguished 4...

Thursday, September 28---It was one of the more audacious projects ever produced for a major studio. REDS, the politically-charged epic story of American radicals in the early years of the 20th century, was an unlikely film for Hollywood to have produced, especially at the dawn of the conservative Reagan era. The fact that it ever saw the light of day, and in fact become a critical and public success d'estime, is due entirely to the force of personality of its director/producer/star Warren Bea...