JUST TALKING 15/3 part3envoyé par cecilerittweger
JUST TALKING 15/3 part4
envoyé par cecilerittweger
Is objectivity what is desired in the making of a documentary film? Must a director keep an emotional distance from his film’s main character? These questions were at the heart of the first “Just Talking”, which took place on Sunday, March 15, as part of the sidebar events of the Thessaloniki Documentary Festival - Images of the 21st Centu...
11th TDF: JUST TALKING 15/03/09
envoyé par cecilerittweger
JUST TALKING 15/3 part2
envoyé par cecilerittweger
Laura Bari, director of Antoine (Hybrid Docs), Magnus Gertten, co-director of Long Distance Love (Stories to Tell), Lisa Merton and Alan Dater directors of Taking Root: The Vision Of Wangari Maathai (Habitat), Kimberly Reed, director of Prodigal Sons (Stories to Tell), Ismail Necmi director of Should I Really Do It? (Po...
PRESS CONFERENCE
SHOULD I REALLY DO IT – THE SOLITARY LIFE OF CRANES – ON THE WAY TO SCHOOL – HUXLEY ON HUXLEY - ANTOINE
On Monday, March 16 at noon, a press conference was given by Ismail Necmi (Should I Really Do It), Eva Weber (The Solitary Life Of Cranes), Ozgur Dogan (On The Way To School), Mary Ann Braubach (Huxley on Huxley) and Laura Bari (Antoine).
On the way to school recounts the adventures of a young Turkish teach...
JUST TALKING 15/3
Is objectivity what is desired in the making of a documentary film? Must a director keep an emotional distance from his film’s main character? These questions were at the heart of the first “Just Talking”, which took place on Sunday, March 15, as part of the sidebar events of the Thessaloniki Documentary Festival - Images of the 21st Century.
Every afternoon, the 11th Documentary Festival invites its guests, dire...
JUST TALKING 15/3
Is objectivity what is desired in the making of a documentary film? Must a director keep an emotional distance from his film’s main character? These questions were at the heart of the first “Just Talking”, which took place on Sunday, March 15, as part of the sidebar events of the Thessaloniki Documentary Festival - Images of the 21st Century.
Every afternoon, the 11th Documentary Festival invites its guests, dire...
OPENING CEREMONY
The Thessaloniki Documentary Festival - Images of the 21st Century enters its second decade as of Friday, March 13, with the Opening Ceremony of the 11th edition at the Olympion Theatre. Stavros Kalafatis, Minister of Macedonia-Thrace, launched the Documentary Festival, and the screening of Chao Gan’s The Red Race followed.
Despina Mouzaki, Director of the Thessaloniki International Film Festival, welcomed the audienc...
On April 5th, the 27th iteration of the International Istanbul Film Festival runs kicks off its 15-day run, screening 200 feature films in 20 categories. Festival-goers seeking alternatives to the flickering dark will find a robust program of seminars, workshops, concerts, exhibitions and parties. The Festival culminates on April 20th with the coveted Golden Tulip Award for the International Competition, juried by an elite force of cinema professionals led by cinematographer Michael Ballhaus. Fe...
The 10th Thessaloniki Documentary Festival - Images of the 21st Century began its journey on the night of Friday, March 7, in the packed Olympion Theater. The ceremony focused on the fact that this year's edition is an anniversary, and was attended by political and academic representatives, as well as important cultural and intellectual personalities. The ceremony was opened by the Director of the Thessaloniki International Festival, Ms...
The Thessaloniki Documentary Festival - Images of the 21st Century began its journey in March 1999, at the dawn of the new millennium and in the middle of profound changes in the information community as well as the international social arena. On the one hand, the rapid development of digital technology, with all this entails for artistic expression and communication - information, and on the other hand decisive multidimensional phenomena such as globalization, which marked the beginning of the ...
Istanbul International Film Festival assistant director, Ms Asize Tan, talks to Jeremy Colson on the occasion of the 25th edition of one of Asia’s biggest festivals where the audience this year is forecast to reach 140,000. Have you ever been involved in film-making yourself? I’ve been involved in short films and commercials and I’ve been in film circles since forever. I started work with the festival in 1994, worked in several different departments, became assistant director in 2003 and I...
