It is rare that a rather low budget American indie title ever is included in the main Competition section here at the Berlinale (American indies are more represented in the Panorama and Forum sidebar sections). However, when a film artist has such a clear, individual voice as Miranda July, the main festival programmers cannot resist. Such is the case with July's sophomore effort following her celebrated debut ME AND YOU AND EVERYONE WE KNOW in 2004. It has taken almost seven years for...

It is rare that a rather low budget American indie title ever is included in the main Competition section here at the Berlinale (American indies are more represented in the Panorama and Forum sidebar sections). However, when a film artist has such a clear, individual voice as Miranda July, the main festival programmers cannot resist. Such is the case with July's sophomore effort following her celebrated debut ME AND YOU AND EVERYONE WE KNOW in 2004. It has taken almost seven years for her follow...

  Wholphin: Issue 1 was my introduction to this innovative approach to film.  The Wholphin film series is touted as “a quarterly DVD magazine, published by McSweeney’s, lovingly encoded with unique and ponderable films designed to make you feel the way we felt when we learned that dolphins and whales sometimes, you know, do it.”  That last part is fodder for a film I’d need to see before I believe it.  But the sentiment evoked by viewing Wholphin might best be describe...