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"Games People Play" to have South American premiere at FENACO Peru

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Breaking news from Peru! Ron de Cana Productions' "Games People Play" will also play the FENACO International Film Festival in Cusco, Peru November 12-15, 2014. Earlier, it had been announced that Ron de Cana's "The Martini Effect" would be presented in this year's international competition. With two films vying for prizes, director/producer/writer Dawn Westlake will be in attendance at the festival. "Games People Play" was shot on the Canon C500 by Jon...

"The Martini Effect" at FENACO Peru; Director Dawn Westlake to attend!

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"The Martini Effect" has been selected to compete in the international program of the 2014 Fenaco Peru Film Festival held in Cuzco, from November 12-15, 2014. Director/producer/writer Dawn Westlake will be in attendance. The film was shot on the Canon C300 by Brandon Bondehagen in Los Angeles and Malibu. Underwater photography in Barbados was provided by Secci Films. "The Martini Effect" was scored on the guitarviol by Gregory Johnson of Acoustic Labs. For more info on the f...

El Misterio de las Lagunas, Fragmentos Andinos (The Mystery of the Lagoons, Andean Fragments)

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Director: Atahualpa Lichy.
« The Mystery of the Lagoons, Andean Fragments » has as a principal stage the so called « Villages of the South », located in the region of the Venezuelan Andes. These lost villages were isolated among mountains, until a few years ago. Even though the access using four wheel drive vehicles started bringing in the “civilization” the traditions are kept, while in places with an easier access these are disappearing. The stories told with humor by the peasants and artisans will allow us to recreate old times. Trough them, we will have a lesson of life. They will tell and sing their stories for us, often accompanied by the typical Andean violin, with its rustic sound, by the guitar or the cuatro, a kind of small four string guitar which is the traditional Venezuelan instrument. The “taitas”, the Indians’ ancestors, left record of their pass in the Venezuelan Andes and their mark has remained alive in the daily life and in certain practices and believes imbued in a marked syncretism. Even when the general image of the Andean is of a fervently catholic people, we find ourselves before the presence of the “Mohanes” powerful Shamans, who still keep the secret language to dominate the elements of Nature, they are respected and feared at the same time. We will travel backwards in time, following the thread that created the legends, through oral tradition and songs that will reveal a collective conscience and the characteristics of their culture.

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