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Bengali
Bharateeyans-The New Blood, Review: Overboard, gored, bored
Preminchukundam Raa, Premante Idera, Kalisundam Raa, Eeswar (2002 film), Lahiri Lahirilo, Sardukupodaam Randi, Nagaram Nidrapotunna Vela and Sakhiya. These are not the names of the characters or cast of Bharateeyans-The New Blood, but the names of films written by Deena Raj, collaborating with Dr. Shankar Naidu Adsumilli, a well-known surgeon based in the USA. Deena Raj teams with Naidu again for his directorial debut, at age 53, Bha...
Mother Teresa & Me: A stunning Swiss portrait of an Indian Saint
He comes across as a youngish, genial uncle, with a deadpan sense of humour. Answering to a name like Kamal Musale, he had to be at least part Indian. This Swiss-Indian film-maker’s Swiss company – Les Films du Lotus Sàrl – and his Indian company – Curry Western Productions Pvt Ltd – produce movies with Indian content, for western taste. Mother Teresa & Me transcends any such boundari...
Bhool Bhulaiyaa 2, Review: Witch ghost will be the soul survivor?
Alternately calling itself a horror story and a humorous tale, Bhool Bhulaiyaa 2 (Labyrinth, Maze) does raise a few laughs. The horror, however, fails to strike terror. Songs, literally thrust into the film and one of them relegated to the end credit titles, are catchy, but they are either mushy or foot-tapping, neither kind blending with the theme. There is indeed a labyrinth of explanations for some of the spooky goings on in...
Pushpa-The Rise – Part 1, Review: Cross your legs
Having steadfastly kept away from the staple diet of Telugu dubbed in Hindi dished out on a few TV channels 24 x 7, one was not aware of what one was in for when one went to see the press preview of Pushpa at the invitation of a major, local PR agency, albeit with a notice of 11 hours. Firstly, an eponymous film, the title is an abbreviation of PushpaRaj. Pushpa, by itself, means a flower, and is feminine. You might be pardoned for recal...
IFII 51, 49: Avijatrik, a sequel to Satyajit Ray’s Apur Sansar
In an edition where the International Film Festival of India (IFFI) pays tribute to legendary film-maker Satyajit Ray, there was a fitting entry in the Indian Panorama Feature Film section of the festival, which builds on his rich cinematic contribution. Avijatrik, a sequel to Ray’s The Apu Trilogy, often cited as the three greatest films in Indian film history. The trilogy comprises the Bengali films Pather Panchali ...
IFFI 51, 2021, Goa, 16-24 January, 03: Minister Javadekar announces the selection of films in the Indian Panorama
Information and Broadcasting Minister of the Government of India, Prakash Javadekar has announced the selection of 23 Feature and 20 non-feature films in Indian Panorama for the 51st International Film Festival of India, IFFI. The I&B Ministry organises the annual festival, through its Directorate of Film Festivals, along with the Government of Goa, in Panaji Goa. The annual ...
IFFI 50, XII: Rajinikanth to be Icon of Golden Jubilee
Union (Central Government) Information & Broadcasting Minister, Prakash Javadekar, announced on November 02 that, “In recognition of his outstanding contribution to Indian cinema, during the past several decades, I am happy to announce that the award for the ‘Icon of the Golden Jubilee of IFFI 2019’ is being conferred on cine-star Shri. S. RajiniKanth”, said Javadekar.
Carpenter-turned-porter-turned-bus conduc...
16th Third Eye Asian Film Festival: XI
Sixteen years is a long time in the life of a film festival. It seems an even bigger achievement when you consider the upheavals that the Third Eye Asian Film Festival has undergone during its tenure. In fact, it is a miracle that it has continued, against all odds. Asian Film Foundation, headed by Kiran Shantaram, son of late V. Shantaram, remains the driving force, as does Sudhir Nandgaonkar, journalist and a bunch of teenage students pool in their res...
16th Third Eye Asian Film Festival: IX
Biler Diary, Cyanide and Jana Aranya. A Bengali film about a boarding school based on Hindu religious values, an Iranian political thriller about the period immediately preceding the Islamic revolution and a raved work of the master, Satyajit Ray—these were the last feature films I saw at the 16th Third Eye Asian Film Festival, Mumbai.
The festival was organised in December 2017 by the Asian Film Foundation and P.L. Deshpande Maharashtra Kala Acad...
16th Third Eye Asian Film Festival: VIII
Besides Marathi, Bengali language films saw fair representation at TEAFF. There were two Assamese films as well. Internationally, of course, we had a strong Iranian contingent. The festival was organised in December 2017 by the Asian Film Foundation and P.L. Deshpande Maharashtra Kala Academy, and co-organised by Prabhat Chitra Mandal and Akhil Bharatiya Marathi Chitrapat Mahamandal. An annual event, it is supported by Department of Culture, Government...
Director: Ashim Paul.
The film is about a refugee (Somu) of post Babri Masjid Demolition from Bangladesh who has migrated to India. There he faces several other character, in a space where political turmoil is still on. A child labor, Kanai, who works at an adjacent tea stall is willing to go to the cities to work as a construction labor. At the end, Somu feels deserted in the space and leaves. After he leaves, a puritan love in form of a lady, Sathi, the daughter of the landlady where Somu used to live, explores Somu's past and feels great attachment towards him through the decor of the space.
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