Thank You for Coming, Review: Desperately Seeking the Big O Here’s a thumbs up for picking a taboo issue. And here’s a thumbs down for making a mess of it. Thank You for Coming deals with female sexuality in a society where it is the male who dominates a lot of things, including sexual relations. After going halfway down the foreplay, the film then turns into a whodunit, and, simultaneously, a whodidnotdunit. If you are not aware what the big O is, this film might be for you, whet...

Badhaai Do, Review: No blessing for this messing Watching Badhaai Do, an old thought re-surfaced. I used to wonder what would happen if, by some quirk of circumstance, a homosexual and a lesbian ended-up marrying each other. Looks like some antenna picked-up this concept and turned it into a lengthy film. Unfortunately, the writers and the director are unable to decide whether they should inject humour or treat it as a tear-jerker. They lean towards the latter, but fail on the mise en sc&egra...

Bhoot, the Haunted Ship-Part I, Review: Scares are scarce Considering the negligible number of ghost stories being made in India, Bhoot, the Haunted Ship-Part I, made by names Dharma and ZEE, would have been a film to look forward to. It turns-up with a mixed bag, offering more mix than bag. Firstly, the title is a giveaway, for we already know that there is going to be a ship and that it will be haunted. Secondly, the film plays totally safe, in catering to both kinds of audiences—thos...

Pati Patni Aur Woh, Review: Eternal try angle Same title, same production house, same concept, yet Pati Patni Aur Woh is nothing like its 1978 original. Crucial elements like the ‘woh’ (she) being the protagonist’s secretary and the lead couple having a son are missing in this 2019 ‘remake’. Yet, the film works quite well, and if such a brazenly adult theme can avoid becoming a bedroom farce, while delineating the plot on a tight-rope walk, there must be somethi...

Bala, Review: Haireditory and dark humour Two films in rapid succession about hair loss are about as rare as a new lock of hair sprouting on a bald pate. Whereas Ujda Chaman had the relatively unknown Sunny Singh Nijjar and Maanvi Gagroo playing the lead roles, Bala has National Award winning (shared) actor Ayushmann Khurrana, and by now well established actresses Bhumi Pednekar and Yami Gautam. Time has come when insider jokes, vulgar dialogue, mimicry and stand-up comedy are expected from K...

Ujda Chaman, Review: Hair loss, weight gain Barren follicles and overflowing lipids can, and often do, cause the corps to be subjected to taunts and ridicule for extended periods of time, maybe all through life. If you happen to be in the marriage market, sporting a bald patch up front, or ample girth across your perpendicular stance, these are distinct disadvantages, almost as bad as age differences of 20 or more years between prospective suitors. Highlighting the plight of obese and balding...

Toilet—Ek Prem Katha, Review by Siraj Syed: Loo and behold! There is no point getting revolted by the title. Any fear that the film might have ‘dirty’ scenes can be laid to rest by the realisation that we have a robust Central Board of Film Certification (CBFC) that sanitises every film before release. And almost every Indian knows that the current Prime Minister launched a campaign two-and-a-half years ago, to ensure that millions of villages and small towns in rural India ...