by Quendrith Johnson, Los Angeles Correspondent Woody Allen’s newest film Café Society just opened July 15, and it fits into a cinematic history of stories about Hollywood that audiences love. But Woody Allen himself has been a lightning rod for so long, the electricity generated off the attendant controversies could power a small town. That said, we’re talking about a movie, folks, not the personal life of the director. With that caveat, Café Soc...

Black Mass, Review: Whitey’s black deeds and the FBI’s blind eye Black Mass is a term used to indicate a reverse Christian mass, the inversion of the traditional Latin Mass celebrated by the Roman Catholic Church, one that celebrates the occult. People who know this would think that a film with such a name was another supernatural horror drama. It is nothing of the kind. So, the makers toyed with the idea of changing the title, but for reasons best known to them, stuck with the or...

Ant-Man, Review: Up the ANTe When a comic-book super-hero film engages you on two fronts, exhilarating effects and hearty humour, the audience is in for a good time. It is debatable whether going the whole hog on either front, at the cost of the other, would have served the plot better, but Ant-Man has turned out to be refreshing and innovative viewing. In 1989, scientist Hank Pym (Michael Douglas) resigns from S.H.I.E.L.D., after discovering that the organisation tried to send him off to Ru...