El Cadáver Exquisito by Sombra El Cadaver Exquisito began as a seed of an idea but once it was given birth it seemed we could only run to keep alongside its momentum. I did a lot of writing for the film in the beginning as Victor was shooting. We spoke of using a voice over, a narrator who might tells its story like a fable. As the visuals and footage piled up however, it was clear they wanted to be their own narrator. ...

El Cadaver Exquisito | Update by Sombra   After a series of private screenings for film/video/art groups, scholars and individuals, based in the greater metropolitan area of NYC, we are in the final stage of El Cadáver Exquisito. The main purpose of those screenings was to test the cut and gather both general and specific criticism for the movie in order to help us polish the editing, and therefore, the narrative. The screenings have also smoothed out o...

El Cadáver Exquisito | Verdant Tunnel by Sombra Film posters have been used since the earliest public exhibitions of film. They began as outside placards listing the programme of (short) films to be shown inside the hall or movie theater. By the early 1900s, they began to feature illustrations of a scene from each individual film or an array of overlaid images from several scenes. El Cadáver Exquisito explores the psyche of an individual reflecting a multitu...

El Cadáver Exquisito | the view from the steps by Sombra   A shadow passes, stops. I sit and stare and hope it will stay to talk of something other than the dust, the fever, the curtains. It doesn’t. It moves. - Brendan Edward Kennedy arranged by Sarah Walko Categories: Garage, Production Notes, Screening Rooms, Sombra ...