By Quendrith Johnson, Los Angeles Correspondent   “Imagine today’s Society as a branch of civilization about to reach a dead end.” You want to defend and explain Francis Ford Coppola’s MEGALOPOLIS just as much as narrator Laurence Fishburne, who tries to make the case during the movie that this oddball gorgeous landscape of mildly psychotic imagery is historic. You want to love Adam Driver and his maniacal urban hive-builder genius as someone amazing and heretofore...

The Jungle Book, Review: Unputdownable A fitting tribute to the 1967 version on its golden jubilee, The Jungle Book is unputdownable. You might find differences in the two versions, and in the book itself. Don’t bother comparing. If the smooth-sailing songs make you sing-along (a friend seated on my left just wouldn’t stop), even better. Gaze into the volcanic eyes of the animals, marvel at the resourcefulness of the man-cub, and applaud the imagination of the writer who spun this...

(Maze Runner II)-The Scorch Trials, Review: Trial and terror                                                                  Titles can mislead. Read in standalone mode, The Scorch Trials can easily be mistaken to be a film chronicling a series of court-room cases about burning issues. Of course, it is “no issue”, if ...