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Martin Scorsese Masterclass in Cannes

 

 

 

Marco Beltrami

Scary Stories to Tell in the Dark, Review: The spirit of Sarah Bellows, and the trauma of teenage fellows

Scary Stories to Tell in the Dark, Review: The spirit of Sarah Bellows, and the trauma of teenage fellows Though the voice-over insists that stories hurt and stories heal, and that if they are repeated very often, they become true, any amount of repetition will not succeed in making Scary Stories to Tell in the Dark seem anything like real. Hurt, it does, heal, I wonder! It’s a horror story, pure and simple, or, rather, neither very pure nor very simple. A 70 year-old mansion has its se...

A Quiet Place, Review: Silence is Golden

A Quiet Place, Review: Silence is Golden In 2017, the world undergoes lockdown as blind monsters search for victims by sound. The few survivors of an unknown attack in New York appear as the Abbott family, who are visiting a supermarket, while maintaining total silence. The family is mourning the death of Beau, a victim to the monsters a year earlier. Back home, following several prior encounters, the monsters become aware of the family’s presence while Lee Abbott develops a sound-proo...

Siraj Syed reviews Logan: All Gore

Siraj Syed reviews Logan: All Gore Just when we had begun to think that desensitisation was near complete, and violence in American films held no more depths to plumb, there comes Logan. For its genre, it’s a triumph of sorts. For the distanced critic, his worst fears could have come true. Unless, of course, he turns it into a cathartic but guilty experience. Decapitation with a cap-it-all D is but one of the milder forms of blood and gore strewn across the two hours plus footage of L...
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