Babloo Bachelor, Review: Bachelor and the marriage lure Of all the themes that have been chosen for making Hindi films over the last several decades, marriage is the most common. Till the dawn of the 21st century, a host of film scripts were woven around the boy-meets-girl, they cannot marry due to a plethora of reasons, the most common being inequality of status, a villain was added for effect, and it all ended well. Now, with mobile phones, social media, so many mixed marriages and live-ins...

Jabariya Jodi, Review: Scaring, paring and pairing Imagine a country where dowry demands are the bane. Imagine a state in that country where the demands of families of educated and gainfully employed men of marriageable age range in the region of one to ten million bucks. Now imagine a gang that kidnaps such extortionist grooms and marries them off to the hapless women, at gunpoint, after giving them the treatment. Jodi, literally, means a ‘pair’ or ‘couple’, in Urdu a...

Jabariya Jodi, First look: Swinging infection Jodi, literally, means a pair, in Urdu and Hindi. It also refers to husband and wife. Jabar or jabr is force, and jabariya, by extension, means forced or forcibly formed. So, we now understand the title of the upcoming film Jabariya Jodi to mean ‘Forced Couple’. As indicated above, the inference here is that the husband and wife were forced into matrimony. Nothing earth-shaking about it, in a country where thousands of such marriages t...

Marudhar Express, Review: Chain reaction You might need to look-up the meaning of Marudhar, even if you are a native Hindi speaker. It refers to the Marwar area of Rajasthan, and the Express is a train that runs between Varanasi, in Uttar Pradesh, and Jodhpur (Rajasthan), touching Lucknow and Kanpur, the two biggest cities in UP, with Allahabad (now renamed PrayaagRaaj) being the third. Now, lest you begin to think that this film is a travelogue or that events take place on the said train, le...

Naughty Gang, Review: Gang apes We keep hearing at every seminar or conference that with the advances in technology, anybody, just anybody, can make a film. In various Indian film schools too, film-making has been so vehemently de-mystified that every year some 10,000 students pass out and are ready to shoot from the hip, the hip being where they keep their mobile phones. It is a no contest. If a 22-23 year-old fresher can make films, why can’t those who have been around on the fringes,...