Sky Force trailer launch: Aerial action beyond enemy lines After a spate of films about military engagement and espionage across the border, we have a movie that rises in the air and traces the action of the air force, in 1965. The film is titled Sky Force and its trailer was launched last week at the PVR Cineplex at Juhu, Mumbai. Starring Akshay Kumar and Sara Ali Khan, the film introduces Veer Paharia, an assistant director who graduates to a romantic lead with the film. Akshay and Veer wer...

Rocky Aur Rani Kii Prem Kahani, Review: All rhyme, no reason When a film tries too hard to please too many viewers, it shows. When it has too many stars, including stars of yesteryear, predictably, its length grows. When the maker goes back three generations and sets one chunk of the story in 1978, the public knows. When a layman at a bus-stop on a rainy night tells you lots about a film he has not seen because, perhaps, he has seen the trailer and read stuff about the movie, you know that&rs...

Case Toh Banta Hai, Trailer Launch and Press Conference: Courting laughter Trials and tribulations continue on the web. The genre has attracted Banijay Asia production house to create a show based on weird and ludicrous allegations levelled against film personalities that are debated and judged by TV/film/web veterans. A 'notice' of things to come was served to us today at the J.W. Marriott Hotel, Juhu, Mumbai. Some of the persons associated with the show were present, and many others...

Love Aaj Kal 2020, Review: 141 minutes of messy, moronic, melodramatic mishmash What do you do when that elusive commodity called plot decides to stay clear of your net? You dig into your archives and find a film that you think lends itself to building a sequel. You also pay a visit to the Hollywood classic which helped you spawn another set of two films, the first a charmer, the second that should have been much warmer. And so, from the stable that gave us Jab We Met, Love Aaj Kal 2009 and J...

Simmba, Review: Slo mo shun It would be unrealistic to expect anything but action comedies from director Rohit Shetty, showcasing bad guys turning good guys along the line, with tons of slow motion action, having the protagonist landing blow after blow, and the goons rotating before landing on the floor or table or chair or cupboard or door or window or car or cycle or motor-cycle or truck or hand cart or whatever. This time around, the theme, ostensibly, is the heinous crime of rape, with t...