Dono, Review: Between Dono and Donot It takes two to get married. Three into two won’t go. So how about four? That’s a no-no. No, not four persons getting married ensemble, but the bride and the groom, plus two heart-broken souls. That sounds an interesting premise. Even as the couple are preparing to exchange vows, there is a man around, who secretly loved the bride-to-be, and there is a woman, who has broken-up with an abusive and domineering boy-friend, who is around too. Nothi...

Uunchai, Review: Plateau Rajshri Productions have a tradition of making family oriented subjects and shaping them into very lengthy films. By comparison, Uunchai, at 169 minutes, is a short film. Even at that length, it fails to reach the heights that the cast and the director promise. With no less an actor than Amitabh Bachchan himself heading the cast, Uunchai (height; spelt unconventionally, this was instead of the phonetic, Oonchai) was expected to reach some dizzy heights, with a s...

Kalank, Review: Masochistic miasma Everything in Kalank (blemish, stigma) is grand, both in content and in form. Sets and décor, riches and poverty, locales and vehicles, make-up and costumes, dances and fights, colours and luminance, all are designed to make your jaw drop in awe. All this opulence is merely the canvas on which a heart-wrenching tragedy is painted, around the time of India’s partition, with the entire ensemble cast at the receiving end of a woeful operatic wail, ...