Mission Raniganj-The Great Bharat Rescue, Review: The capsule that saved 65 lives Few films have done as much disservice to their cause by having a misnomer as a title as Mission Raniganj. There is no Bharat Rescue, although the film is about a rescue. Over the last decade, there has been a spate of films with the Mission prefix, dealing either with operations against Pakistan or our scientific achievements. So, if the name of the film at hand been merely Mission Raniganj, it would have been ...

Titu Ambani, Review: Titular harakiri You cannot but help notice it. You cannot even overlook it. It is so much in your face. After all, it is the title of the film. And it has nothing to do with the film. India’s richest person is Mukesh Ambani, for a few years in a row, and he also features closely behind the top ten wealthiest persons in the world. In one scene, the lead actor of the film says, “Ambani is Ambani because he has his hand in so many pies.” Very true. No disp...

Dilli Kaand, Review: Those that rape and those that gape When a film is delayed six years in its release, its fate is more or less sealed. Dilli Kaand was launched in August 2015 and sees the light of day on 24 September 2021. Of course, the delay of the last 18 months can be attributed to the Covid 19 Coronavirus pandemic, when cinema-halls remained shut, but the six-year delay cannot be explained by Covid. Even now, cinema halls have only opened in some states of India, with conditions impo...

Baaghi 3, Review: Rebel without a pause Meaning ‘rebel’ in Urdu, Baaghi 3 showcases the muscular machismo, kicking quotient and airborne acrobatics of the loose cannon called Tiger Shroff. He first takes on petty thugs and eve-teasers, then murderers and people smugglers and finally the most dreaded terrorist organisation in Syria, nay, it is claimed, the whole world! His own voice-over at the end credits these escapades as the outcome of being a rebel. And does this rebel have a ...

Super 30, Review: Inequality, equality and variable quality Two basic tenets form the paradigm of Super 30: a real-life story about a nondescript do-gooder who is a super achiever must strike a chord with audiences, and, secondly, any tale of a low caste and poverty-stricken protagonist, sacrificing his lady love and filthy lucre for the cause of educating fellow under-privileged ‘untouchables’ in his society, will have them rooting for the unlikely hero. How these doctrines pan o...