On 'Son of Babylon'
Son of Babylon screened at this year's Copenhagen Film Festival 2011
‘SON OF BABYLON' (2010) is a fiction film based on reality about three
weeks following the 2003 US invasion of Iraq and the beginning of the
Iraq War. Writer/director Mohamed Al-Daradji spent seven years on this
poetic masterpiece that touches on the timely and hypersensitive subject
of the Iraq War and the country now trying to pick itself up from
devastation and ruin.
...
INTERVIEW WITH: Apichatpong Weerasethakul
UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES (Thailand, 2010) screens at Copenhagen Film Festival 2011
Apichatpong Weerasethakul: Vanessa McMahon interviews Apichatpong Weerasethakul
INTERVIEW WITH Apichatpong Weerasethakul.
During the 51st Th...
Apichatpong Weerasethakul: Vanessa McMahon interviews Apichatpong Weerasethakul
During the 15th SOFIA INTERNATIONAL FILM FESTIVAL in Sofia, Bulgaria, the film UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES (Thailand, 2010) screened to an international audience.
INTERVIEW WITH Apichatpong Weerase...
13th TDF: Sergei Loznitsa masterclass (3/16/2011)
SERGEI LOZNITSA MASTERCLASS
Ukrainian director Sergei Loznitsa delivered a unique and detailed masterclass that immersed the audience in his filmmaking world and methods, on Wednesday, March 16, 2011 at the John Cassavetes Theater, in the framework of the 13th TDF. The TDF is organizing a tribute to the awarded filmmaker, screening 11 of his documentaries. In his opening speech, TDF director Dimitris Eipides said: “I ...
‘SON OF BABYLON' (2010) is a fiction film based on reality about three
weeks following the 2003 US invasion of Iraq and the beginning of the
Iraq War. Writer/director Mohamed Al-Daradji spent seven years on this
poetic masterpiece that touches on the timely and hypersensitive subject
of the Iraq War and the country now trying to pick itself up from
devastation and ruin.
This is a story not of war, however, but of the broken family and a lost
civilization. I...
‘SON OF BABYLON' (2010) is a fiction film based on reality about three weeks following the 2003 US invasion of Iraq and the beginning of the Iraq War. Writer/director Mohamed Al-Daradji spent seven years on this poetic masterpiece that touches on the timely and hypersensitive subject of the Iraq War and the country now trying to pick itself up from devastation and ruin. This is a story not of war, however, but of the broken family and a lost civilization. It is a dark road movie followin...
Apichatpong Weerasethakul: Vanessa McMahon interviews Apichatpong Weerasethakul
INTERVIEW WITH Apichatpong Weerasethakul.
During the 51st Thessaloniki Film Festival, I had the grand pleasure to speak at length with Mr. Apichatpong
Weerasethakul, or ‘Joe' as he likes to be called. This was a one-of-a-ki...
‘SON OF BABYLON' (2010) is a fiction film based on reality about three weeks following the 2003 US invasion of Iraq and the beginning of the Iraq War. Writer/director Mohamed Al-Daradji spent seven years on this poetic masterpiece that touches on the timely and hypersensitive subject of the Iraq War and the country now trying to pick itself up from devastation and ruin. This is a story not of war, however, but of the broken family and a lost civilization. It is a dark road movie following a ...
Vanessa McMahon interviews Apichatpong Weerasethakul at Thessaloniki FestivalDuring the 51st Thessaloniki Film Festival, I had the grand pleasure to speak at length with Mr. Apichatpong Weerasethakul, or ‘Joe' as he likes to be called. This was a one-of-a-kind interview as I was tempted to keep him for hours to just hear him passionately speak about his visionary POV on cinema and his cross-genre, trans-borders, duality, disassociating and completely groundbreaking auteurship body of work whic...
Vanessa McMahon interviews Apichatpong Weerasethakul at Thessaloniki FestivalDuring the 51st Thessaloniki Film Festival, I had the grand pleasure to speak at length with Mr. Apichatpong Weerasethakul, or ‘Joe' as he likes to be called. This was a one-of-a-kind interview as I was tempted to keep him for hours to just hear him passionately speak about his visionary POV on cinema and his cross-genre, trans-borders, duality, disassociating and completely groundbreaking auteurship body of work whic...
