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ANIMATION MASTERCLASS7th September 2009 withBrad Bird“Eye Level – Wide – Medium– Close UPStoryboard and improvise script. Record. Edit dialogue. Rough Animation. Layout (3-4 CAM). Editing. Refined Animation.” Nesta Morgan
ANIMATION MASTERCLASS7th September 2009 with Andrew Stanton “Storyboard the way our monies are staged, every step is the story, know what you write, build a better movie, setting, empathy and situation, and make the Sequels.” Nesta Morgan
Golden Lion for Lifetime Achievement to Disney Pixar Animation They set out to move peopleBrad Bird, Andrew Stanton, John Lasseter, Pete Docter,and Marco Muller. 6th September 2009. They say“We need more women in the industry… and we’re going back to hand drawing!” Nesta Morgan
On the day of the Cerimonia di premiazione Leone d'Oro alla carriera when John Lasseter and the animation team at Disney Pixar were on stage receiving their awards... over in Venice with a view from the terrace of New Zealand's event for the Art biennale at Fondazione Claudio Buziol, Palazzo Magilli-Valmarana, Cannaregio, I went to see the famous Venice Ragatta as it raced to and fro. Drawn in blue screen, well we ca
Animation and Making WorldsLo Sono L’Amore – I am LoveDirector Luca Guadagnino says “Immaginare tutto” – “Imagine all”Nesta Morgan
An interview with Pere Portabella, President of The International Jury of the Orizzonti section, director (Spain) of Die Stille Vor Bach and, this year the 20 minute short film Mudanza(Removal) in the Orizzonti Events. I had passed through a set of three walls at Arsenale Art Biennale - displaying just walking sticks, and then entered through several adjoining rooms of pure colour - red, green, yellow, blue. As I mo
Nicolas Cage commented that film work was like painting and music. In Werner Herzog’s The Bad Lieutenant he takes a leap of faith to rescue a drowning soul, injures his back, and thereafter shapes his character in a disfigured pose “head ahead with eyes in front” and descends into his own world marked by desire, compulsion, and conscience. Nesta Morgan
On CHARACTERISATION “Drawing is important to express oneselfIt doesn’t have to be real nor unrealDrawing is to express our thinkingEmploying his imagination, liberating art To liberate our thoughts on paper and bycolours” Master Qiu(scene 1, Prince of Tears) Yonfan, director of Prince of Tears, shows us as in classic Chinese painting,there is a form LIU BAI that is to leave some whitespace on the paper, or si
Making Worlds at Venice 66th Film FestivalVenice opens withEnnio Morricone, Composer BaariaGiuseppe Tornatore’s Baaria, “Gateway of the wind”, the sounds of Ennio Morricone play through 1,431 musicians and 27 original music themes, sets travel through time capturing the essence to an amusing and wistful story of magical character, great passions and passionate utopian dreams… and a humble shepherd who finds t
Making worlds at Venice 66th Film Festival Venice opens with Ennio Morricone, Composer BaariaGiuseppe Tornatore’s Baaria, “Gateway of the wind”, the sounds of Ennio Morricone play through 1,431 musicians and 27 original music themes, sets travel through time capturing the essence to an amusing and wistful story of magical character,great passions and passionate utopian dreams… and a humble shepherd who find
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