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A natural storyteller, Rose spins the fascinating tale of Oakley Hall III, who in 1978 was a promising playwright and the captivating co-founder of the Lexington Conservatory Theater in upstate New York. The legendary Joseph Papp of New York’s Public Theater had optioned his work. On the brink of national recognition, the 28-year-old rising star and son of novelist Oakley Hall (Downhill Racer) literally fell to earth, mysteriously plunging from a bridge and sustaining massive head injuries. Through interviews with friends and family, 16mm film footage, photographs and play readings, The Loss of Nameless Things tells a mythic, larger-than-life tale about Hall’s artistic aspirations. The 103-minute documentary offers the heightened emotion of a Victorian melodrama and the crackling suspense of a good mystery. Was the playwright’s tragic fall an accident or attempted murder?
About five years ago, Rose met Hall through novelist Louis B. Jones, Hall’s brother-in-law and Rose’s good friend and sometimes screenwriting partner. A Northern California theater company had received a grant from the National Endowment of the Arts to stage Grinder’s Stand, the play Hall was writing about the unexplained death of explorer Meriwether Lewis when the tragedy occurred. Rose grabbed a Digibeta video package and headed to the cast read-through, having a hunch that this might be an amazing story. “The play is beautifully written in blank verse, full of sturm and drang,” Rose told this writer when interviewed for the Palo Alto Weekly in 2004. “After the read-through, I sat down with Oakley and it was immediately apparent that the guy I was talking to was not the guy who had written the play we had just heard. Oakley appreciates the play the way I appreciate the play. We both think, ‘The guy who wrote that is really good.’” Rose admitted that this project developed differently than his award-winning narrative (The Stars and Their Courses, Horace Chooney) and corporate work: “We didn’t know what we were doing, where the story was taking us.” Without a script and with startling revelations around every corner, he and Director of Photography Mickey Freeman (Chalk) adopted a “when in doubt, shoot it” approach. Then Rose sat down with Rick LeCompte (Dreams With the Fishes) to pare 200 hours of footage into his first feature-length documentary.
Rose described the brain-damaged Hall as both a “beautiful, magnetic and charismatic soul” and “one-of-a-kind car with no brakes anymore.” Hall can no longer discuss the structure of his plays or the internal lives of his characters, even though he gets up every morning at 5 a.m. to write. The artistic genius is gone, but the artist within still attempts to create. With spellbinding storytelling and visual poetry, The Loss of Nameless Things is a must-see download offered online through Cinequest Distribution. -- Susan Tavernetti (1 vote)
February 13, 2007 —
Cinequest
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