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MORE REVIEWS ABOUT COCKTAIL PARTY
“In The Cocktail Party, writer-director Regge Life takes on the controversial subject of the American military presence on Okinawa and renders it powerful and personal. The essence of effective historical drama is to translate large geopolitical abstractions into concrete human interactions – and that is exactly what The Cocktail Party does. US-Japan relations, racial tensions, military presence in civil society, violence and rape, guilt and innocence, justice and injustice, truth and deception … all these forces come into play in this compelling new film.”
Peter Grilli
Japan Society of Boston
Cocktail Party illustrates the complexity of life in Okinawa, an island in which the significant presence of American troops since the end of World War II factors into much of daily life. Based on over 10 years of research, the film focuses in on the rape of a young woman by a US Marine to highlight the deeply emotional, conflicted, and complex state of life in contemporary Okinawa. Regge Life, the film’s Director, has spent the last 25 years interacting with Japan and examining ways to improve US-Japan relations, enabling him to understand and capture elusive tensions and topics in this relationship. Educators, policymakers, and those interested in US-Japan relations should watch this film to deepen their understanding of the challenges facing Okinawa and the ways in which macro-level policies in the US and Japan impact lives on the ground.
-David Janes
United States-Japan Foundation
The film addresses not only an Okinawan problem, but one that resonates world wide. Still, the complications of power in Okinawa and its history make it particularly meaningful. I liked the lack of a conventional closure at the end, made the girl less a symbol and more of a person with agency, whatever one thinks of her decision. To my mind, the Okinawn man was interestingly ambiguous,becoming clearer as the film progressed.
Roselee Bundy, Kalamazoo College
I enjoyed the film a lot. I thought it was interesting to have the woman be Japanese, involving a history of rapes of Okinawan women by US military. Making the woman Japanese complicates the picture, I think. It is not only Okinawans vs US military, but adds another element that is midway. I found the ending to be dramatically surprising. And yet it does not end there, but instead in the much more problematic cliff-hanging non-resolution. Although the end was surprising, I suppose that it reflects better the situation of sexual assault and its non-reportage. So the film opens the topic up for discussion. Christine Yano, University of Hawaii
I realize what a difficult work that is to transpose to film and see the changes you've made. It was a wise decision on your part. I also appreciated the updating (post-1995) and the complication of race relations on the US side and ethnic relations on the Japanese/Okinawan side. I am struck by the ambition of your film and grateful for this chance to view it and think about it.
Norma Field, Professor Emeritus University of Chicago
19.10.2015 | reggelife's blog Cat. : japan Okinawa sexual assault in the military
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