Director: Kurt Hoerbst / Alexandra Grill.
When wandering through rural Bangladesh with a camera in your hand the sentence „Bideshi…chobi, chobi…! – Stranger! Take a photo of me!” will soon be heard all around. An unbelievably delighted eagerness to be photographed is definitely there. When Kurt Hoerbst met and fell for the village Rudrapur and its dwellers in 2005 the idea for the project BIDESHI Photostudio was founded. People in Rudrapur live simple, agriculture and craftsmanship dominate everyday life. Family itself as the highest rated value in society, is nevertheless rarely preserved in a photograph as it would be in more western parts of the world… Technology and the arts simply are too far away or not affordable- up until… The project BIDESHI Photostudio, which started off in December 2008 after intense preparations and diligent planning by Austrian Kurt Hoerbst, first and foremost provided a welcome opportunity to earn money for the men of Rudrapur. The experienced bamboo and clay specialists constructed a simple but impressive building within a month’s work – by hand! The hut and the entire project were organised in cooperation with Dipshikha, a well-established organisation in Rudrapur. As a close neighbour to the Meti-School, which is well-renowned through various prizes in architecture, the daylight studio offered locals to be photographed professionally from the beginning of February 2009. A glass roof and light Sari-fabrics on the side walls created a soft ambience in combination with the clay ground and back wall. While project assistant Alexandra Grill took digital photos of the families, Kurt Hoerbst photographed the villagers analogue in a large format system. Single portraits in front of the even clay background of course had to be taken as well! The digital data was edited, printed and laminated the same and passed on to the curious models the next day. Surprised by their image (and often amused) they usually welcomed their photographs with great fascination.

Director: Jean Counet.
A father's phone call awakens the longing for a distant yet familiar place.

Director: DAVID MUNOZ.
Migration can provide hope for escaping poverty. Yet many migrants know about the other side of that hope - suffering. Leaving behind their homes and families they submit themselves to the mercy of middlemen at home and employers in distant countries. Tens of thousands become indebted and impoverished as a consequence. This film tells the story of three men from the rural village of Rajbari, Bangladesh who travelled to Dubai.

Director: Ashim Paul.
The film is about a refugee (Somu) of post Babri Masjid Demolition from Bangladesh who has migrated to India. There he faces several other character, in a space where political turmoil is still on. A child labor, Kanai, who works at an adjacent tea stall is willing to go to the cities to work as a construction labor. At the end, Somu feels deserted in the space and leaves. After he leaves, a puritan love in form of a lady, Sathi, the daughter of the landlady where Somu used to live, explores Somu's past and feels great attachment towards him through the decor of the space.