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Japan
Dragons & TIGERS: THE CINEMA OF EAST ASIA
Vancouver International Film Festival September 30 - October 15, 2010
VIFF's Dragons & Tigers program continues to be a leader in introducing the most exciting new cinematic talents from East Asia to the world. The distinguished jury for the 2010 Dragons & Tigers Award for Young Cinema includes three of the bes...
HENRY OF NAVARRE (Jo Baier, Germany/France/Spain)
It is always tempting to ascertain a link or a thematic accent in the programming of a film festival. Threads are there but creating a strong argument in that direction is always a bit of a false road. In truth, film festivals come together based on the films that are made available to them. However, as with an individual, each Festival has its own distinct personality and interests. At the Montreal World Film Festival, ...
LOST LOVE MURDER (Shoji Kubota, Japan)
The Montreal World Film Festival, which is now in its final weekend, has always been a bridge for Asian films coming to North America. Films from this part of the world resonate with Montreal audiences and juries. In the past ten years, the number of Asian films winning the Festival’s top prize is more consistent than at any other major film event. This year, this trans-ocean love affair continues.
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Aside from its competition sections IFF Bratislava each year presents three focus sections. One of them is All at the beach! dedicated to films connected to the ocean the beach and the unique aura these places create. The section will include one program conceived of eight European shorts and nine feature films (most of them never screened in Slovakia):Agua fría de mar, Paz Fabrega - Costa Rica, 2010Alamar, Pedro Gonzalez-Rubio - Mexico, 2009Ano natsu, ichiban shizukana umi (A Scene at the Sea)...
Deadline: November 19th, 2010
Now in its eighth year, top-tier, international awards competition, The Accolade, announces its Call for Entries for filmmakers, television producers and videographers.
Download entry form at www.accoladecompetition.org.
The Accolade is unique; it is an awards competition, not a traditional film festival. Awards go to those filmmakers, television producers and videographers who produce fresh, standout entertainment, animation and compelling docum...
The superhero Zebraman will be the protagonist of two Midnight films at the 67th Venice International Film Festival: Zebraman (2004) and the highly anticipated sequel Zebraman: Zebra City no gyakushu (Zebraman 2: Attack on Zebra City) (2010) from visionary Japanese director Miike Takashi.
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Tokyo International Film Festival (TIFF) will commemorate Bruce Lee, theking of Asian action movies, with a showing of selected movies as part ofthe festival's Winds of Asia Middle-East section. This special tributeentitled "The 70th Anniversary: Bruce LEE to the Future", will screenBruce Lee's the most successful film "Enter the Dragon," and his last film,"Game of Death" (the rare version that was distributed in Japan in 1978), aswell as exciting Asian films that pay homage to Bruce Lee, who co...
Motion Picture Association (MPA) President and Managing Director Asia Pacific, Mike Ellis announced this evening that Ronin Films Managing Director Andrew Pike will sit on the judging panel for the inaugural MPA APSA Academy Film Fund.The announcement was made from the Australian International Movie Convention (AIMC) on Australia’s Gold Coast where Mr Ellis reported that in just two weeks a strong calibre up of submissions had already been received for consideration in the US$100,000 script de...
SOMEWHERE (Sofia Coppola)
The world premieres are coming strong and fast for the Fall film season as the Venice Film Festival has announced a particularly stellar competition section. For North Americans not making the trip to the Lido, many of these films will receive their North American premieres at the Toronto Film Festival a week later in September (the two festivals actually overlap for a few days on the first weekend of September).
Twenty-two films have been set to ...
First Asian Film Festival on Disaster Risk Reduction (AFFDRR)25-28 October, 2010 at Incheon city, Republic of Korea Environmental hazards and geo-climatic conditions, adding to vulnerabilities of the region, have made the whole of Asia more susceptible to all kinds of natural and man-made disasters. These issues have drawn attention at highest level, compelling serious intervention at top most level by the countries of this region. Starting in 2005 from China, the Fourth Asian Ministerial Conference on Disaster Risk Reduction (AMCDRR) is being organized from October 25 to 28 this year in the South Korean city of Incheon. This regional conference has emerged as the principal forum for Asian policy-makers and experts in the field of disaster risk reduction (DRR) to discuss ways and means of coping with and minimizing the impact of natural and man-man calamities.Cinema is a powerful tool of documentation and dissemination by way of its presentation and a film festival on this subject can go a long away in promoting awareness about disaster risk reduction in the region. As an effective tool of communication, the films leave long lasting impact on the minds of viewers. Many social and cultural issues have been presented in the form of films to communicate special messages. These films aspire to change the world, seeking to alter the political agenda and the popular understanding of issues.To strengthen the mandate of AMCDRR and to encourage sharing of knowledge between countries of the region, Global Forum for Disaster Reduction (GFDR), India, in collaboration with Asian Disaster Reduction Center (ADRC), Kobe, Japan, proposes to hold a festival of Asian-made and Asian-themed films to run alongside the conference. The festival will showcase short, documentary and fiction films made on the themes of disaster management, risk reduction and rehabilitation. The major objective of the Film Festival will be to promote the goals of Hyogo Framework for Action (HFA) through sharing and dissemination of information on DRR amongst various sections of the society. This will in turn also help in bringing a greater understanding of Millennium Development Goals (MDGs) and heighten the sensitivities towards Climate Change issues. Global Forum for Disaster Reduction (GFDR), India, has been very actively involved in DRR activities since its inception. We believe in ‘Global Vision – Local Action’ and hence emphasize on sharing of globally available knowledge and information to suit the local needs. Asian Disaster Reduction Centre (ADRC), Kobe, Japan, established in 1998, is a network of about 30 countries and is working towards building disaster resilient communities and to establish networks among countries through many programs including personnel exchanges in this field. GFDR and ADRC have been working closely on many programmes and issues focusing on disaster risk reduction and mitigation. We share similar views and values on the importance of knowledge and information sharing.The proposed Asian Film Festival on Disaster Risk Reduction would be first of its kind and address all forms of disaster related issues concerning natural and selective man-made disasters. This film festival aims at providing a platform to films/documentaries etc. The success of the this event will further open up ways for organizing it on a wider scale in following years by screening of films and documentaries from all over the world.
With over 40 countries representing more than 200 films from around the world each year, the Chicago International Children's Film Festival hosts an average of 26,000 children and their parents and teachers at several venues through-out Chicago each year and is the largest annual festival of films for children in the world. The mission of WTTW11 is to provide relevant and distinctive programming for diverse audiences in Chicago and around the nation. With a special commitment to children's conte...
Co-presented with the New York Asian Film Festival, though most titles were screened at the Japan Society, JAPAN CUTS is the largest Japanese film festival in the United States. Held for the fourth time from July 1st through the 4th, it offered this year during the Asian Film Festival and at the Japan Society 24 titles spanning a wide variety of themes and styles. This diversity in film making approaches is certainly startling ranging from the anime KING OF THORN on a world threatening cold slee...
The 2010 Feel Good Film Festival (FGFF) announces it will return to American Cinematheque’s Egyptian Theatre in Hollywood Friday, August 13 through Sunday, August 15. The three-day event once again will feature films aimed at both adult and family audiences that highlight positive themes, happy endings, laughter, and capture the beauty of our world.The Opening Night presentation of Joe Ballarini’s FATHER VS SON will kick start a program that will feature 64 films, including 14 features (11 n...
When I first covered the festival numerous years ago at the downtown Anthology Film Archives, I was struck by several features not encountered in any of the other established festivals. The organizers of the festival performed antics on the stage before the films and threw presents like videos and books into the audience. They were greeted by an adoring and enthusiastic crowd who seemed to be familiar with directors and principal characters of the films screened. In short an audience addicted to...
A scene from Glamrock City, the Opening Film of EKOIFF
Inaugural Eko International Film Festival Opens Wednesday July 7 in Lagos
The inaugural Eko International Film Festival (EKOIF) opens Wednesday July 7 at the prestigious Genesis Deluxe Cinemas at The Palms in Lekki, Lagos.
Award winning filmmakers from Germany, UK, Spain, France, Albania, Kenya and Nigeria are participating in the film fiesta with over 25 films including the thrilling Glamrock City and the King of Palma.
Th...
In these days of high cost travel and rapidly shrinking bank accounts, I quietly considered the bundle I had saved by not needing to board the Concorde to attend the hit London production of the Victorian satire LONDON ASSURANCE, the latest offering from the National Theatre's worldwide satellite broadcasts. Sitting in the plush, air-conditioned environment of the Jacob Burns Film Center thirty miles from New York City, I could only marvel at the experience of a delicious "nig...
After the intense (and enjoyable) experience of sitting through at least 15 documentary feature films over 4 days at the just concluded AFI-Discovery Channel Documentary Festival, the question organically arose: do documentaries really matter? As someone who trained in documentary filmmaking techniques (and who made a few, best to be forgotten non-fiction nothings) and an admirer of the stamina, grit and determination of the documentary filmmaker, my answer appeared more hopeful than det...
It takes a lot of energy, enthusiasm and patience to handle independent films in this distressed market. The economic depression, the evolution of how film is being watched and the nagging uncertainty of what role the internet plays in it all, have made the independent film distribution not something for the weak of heart. While independent films fight for theater space in a world dominated by the Hollywood majors, it becomes even more important for a company to use innovative techniq...
It takes a lot of energy, enthusiasm and patience to handle independent films in this distressed market. The economic depression, the evolution of how film is being watched and the nagging uncertainty of what role the internet plays in it all, have made the independent film distribution not something for the weak of heart. While independent films fight for theater space in a world dominated by the Hollywood majors, it becomes even more important for a company to use innovative techniqu...
The Chicago International Children's Film Festival ("CICFF") celebrates its 27th season this October 22-31, 2010. A record number of films have been submitted to the 2010 Festival, an increase of 12% so far over 2009. (In 2009, entries increased by 19% overall from 2008.)
This year, "there is an unprecedented number of entries, already in this early submissions stage", according to Programming Director, Ann Vikstrom. Nancy Goldenberg, Director of Children's Programs...
By Maria Esteves - June 1, 2010
Presenting characters that overcome life's difficulties, filmmaker Roberto Rizzo (RR) is founder of the New York City International Film Festival (NYCIFF). Rizzo's passion for film began at the age of four, is writer, producer, director of Trust Me, Couples, Fascination, and Connecticut Cooking & Conversation, founded Vesuviano Pictures, has appeared in 13, 30 Rock, My Father's Will, New Amsterdam, and others. RR has performed many interviews and several ...
NEW DIGITAL RESTORATION RASHOMON
(Japan 1950) Directed by Akira KurosawaStarring: Toshiro Mifune, Machiko Kyo 88 min / b/w / cert 12AA BFI releasewww.bfi.org.uk/releases
Release date: 18 June 2010Opening Venues: BFI Southbank, Irish Film Centre, plus venues tbcTo coincide with Akira Kurosawa’s centenary, the BFI is delighted to release to cinemas on June 18 the stunning 2008 Academy Film Archive restoration of Rashomon, the brilliant and hugely influential meditation on the relativ...
Following short on the heels of the world premiere of Barbara Kruger’s multi-channeled video installation, “The Globe Shrinks” (2010) at Mary Boone Gallery in New York and the announcement by the Whitney Museum of American Art of an upcoming monumental site-specific piece at their proposed downtown location in the Meatpacking district, also in New York, the release in May of Rizzoli’s opulent, 300 page monograph on the work of Barbara Kruger could not be more tim...
We are happy to confirm 4 top experts just added to the Training Ground 2010’s program:OLIVIER COTTE IN “SPECIAL EFFECTS ON MY BACKYARD”Olivier Cotte (born June 20, 1963) is a French film director, writer, graphic novel author, and animation historian. After studying music, ballet, fine arts and films, he worked 15 years in the industry as director, flame artist and director of special effects, with such people as Wim Wenders (Until the End of the World), Roman Polanski (Death and the...
Training Ground 2010 confirmed 4 top experts added to the program:OLIVIER COTTE IN SPECIAL EFFECTS ON MY BACKYARD Olivier Cotte is a French film director, writer, graphic novel author, and animation historian.After studying music, ballet, fine arts and films, he worked 15 years in the industry as director, flame artist and director of special effects, with such people as Wim Wenders (Until the End of the World), Roman Polanski (Death and the Maiden), Costa-Gavras (Mad City), Bob Swaim (The Clim...
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