The New York Film Festival, which is in full swing following a busy weekend of films and premieres, will be presenting a number of special presentations in the days ahead. One of the more intriguing takes place this Wednesday evening.
Chandleresque: Raymond Chandler on Film and Television is an illustrated lecture by Film London CEO and former London Film Festival topper Adrian Wootton. Raymond Chandler, who is oddly more revered in Europe than in his native America, is the mos...
BRIDGE (Wang Bin, 1949)
This year's Masterworks series at the New York Film Festival draw on repertory collections of films that highlight (mainly) unknown aspects of global cinema. The first program is (RE)INVENTING CHINA: A New Cinema for a New Society, focusing on Chinese films made during the height of the Maoist revolution from 1949 to 1966. The series brings together twenty rarely seen works from the crucial early years of the People's Republic of China.
Fol...
BLUEBEARD (Catherine Breillat)
With French film master Alain Resnais kicking off the 47th edition of the New York Film Festival last evening with his Cannes Film Festival winner WILD GRASS, this year's event is another example of the New York audience love affair with French cinema. With French filmmakers and actors in town for the Festival, the premieres this week of Cedric Klapisch's PARIS and Anne Fontaine's COCO BEFORE CHANEL (starring Audrey Tautou), not to mention the on...
With French film master Alain Resnais kicking off the 47th edition of the New York Film Festival last evening with his Cannes Film Festival winner WILD GRASS, this year's event is another example of the New York audience love affair with French cinema. For the French, it is almost a semi-invasion of Manhattan island. Other Gallic giants in this year's fest include: HADEWIJCH, directed by Bruno Dumont. The director has directed more than 450 commercials, shorts and documentaries. He is the direct...
For all the information and excitement about the 2009 edition of the NEW YORK FILM FESTIVAL, visit: www.filmlinc.com
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It's been nearly five years since Todd Solondz, one of American independent cinema's most respected (and controversial) auteurs, has been seen at a film festival. His last film PALINDROMES (2004) premiered at the Venice Film Festival but was roundly hissed by most film critics and its subsequent release was very anemic. After his earlier successes, including his debut WELCOME TO THE DOLLHOUSE (1995), the heartfelt and uncomfortably intimate HAPPINESS (1998) and the less well received STORYTELLIN...
by Sandy Mandelberger, Festival Dailies Editor
It's been nearly five years since Todd Solondz, one of American independent cinema's most respected (and controversial) auteurs, has been seen at a film festival. His last film PALINDROMES (2004) premiered at the Venice Film Festival but was roundly hissed by most film critics and its subsequent release was very anemic. After his earlier successes, including his debut WELCOME TO THE DOLLHOUSE (1995), the heartfelt and uncomf...
Former Film Society Mainstay Returns to Help Lead Vastly Expanded and Enriched Organization As it Enters New Era of Growth
The San Francisco Film Society announces the appointment of Rachel Rosen as director of programming, effective August 10, 2009.
Photo by Jesse Grant / WireImage
"We're thrilled to welcome Rachel back to a leadership role in the organization after her extraordinarily successful tenure in Los Angeles," said Graham Leggat, SFFS executiv...
Former Film Society Mainstay Returns to Help Lead Vastly Expanded and Enriched Organization As it Enters New Era of GrowthThe San Francisco Film Society announces the appointment of Rachel Rosen as director of programming, effective August 10, 2009. "We're thrilled to welcome Rachel back to a leadership role in the organization after her extraordinarily successful tenure in Los Angeles," said Graham Leggat, SFFS executive director. "Her intelligence, flair for innovation and keen eye for exciti...
Don't Let Me Drown
New York City is blessed with a number of established film events for every season, including the New York Film Festival in the Fall, the New Directors/New Films series, Gen Art Film Festival and the Tribeca Film Festival in the Spring, and dozens of other smaller, more specialized events. Add to this a new summer festival to be presented by BAMcinematek, the repertory film program at the Brooklyn Academy of Music, one of the city’s citadels of culture. The Festival ...
Like other festivals, the Lincoln Center Film Society’s 46th New York Film Festival experienced a steady increase in films submitted amounting to about 1500 productions this year, far below the 8500 which the Sundance program coordinator Zakheim is quoted as having received for the 2008 edition, even less than the 1600 productions send now to the four year old Dubai festival. Yet the importance of the NYFF and of the 2008 main selection of 28 titles is not measured by competitive numbers, rat...
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Sunday, October 12-----Every generation deserves its own Rocky.....a reminder that guts can lead to glory. In 1976, Sylvester Stallone's sentimental tale of a past-his-prime boxer who finds love and redemption both in and out of the ring, was an unlikely hit and major Oscar winner. In the next 30 years, films about bucking the odds have become their own uniquely American genre.
This year's Rocky is also the comeback story of the year....both for its lead actor an...
HUNGER (Steve McQueen, UK)
Friday, October 10---------As it enters its final weekend, The New York Film Festival, which celebrated its 46th anniversary, has again been an extraordinary showcase of the pulse of contemporary European cinema. Over almost five decades, the Festival has introduced and cemented the reputations in the United States of such iconic filmmakers as Michaelangelo Antonioni, Jean Luc Godard, John Schlesinger, Rainer Werner Fassbinder, Pedro Almodovar,...
Tuesday, October 7-----Agnes Jaoui's Let It Rain has been acquired by IFC Films for North American distribution. The French film has its North American premiere this week at the New York Film Festival. The company is planning a day-and-date release via its IFC In Theaters platform next year.
The film, set in the South of France, features Jaoui as a feminist novelist pondering politic...
A Movie (Bruce Conner)
Friday, October 3------One of the more intriguing traditions of the New York Film Festival is its commitment to showcase experimental work that often goes neglected in the go-go atmosphere of the film business. Now in its 11th year, Views From The Avant-Garde is a treasure trove of new ideas, new media and inspiration from visual artists looking to smash tradition and test the horizons of the new.
Most of the films and video pieces presen...
One of the more intriguing traditions of the New York Film Festival is its commitment to showcase experimental work that often goes neglected in the go-go atmosphere of the film business. Now in its 11th year, Views From The Avant-Garde is a treasure trove of new ideas, new media and inspiration from visual artists looking to smash tradition and test the horizons of the new. Most of the films and video pieces presented this weekend are short form, and have been bundled under the elegiac titles o...
Thursday, October 2------When you have one of the most recognizable faces in film in the same room as you, there is undoubtedly a level of excitement. Clint Eastwood came to New York City today for a press conference for his new film Changeling, which serves as the centerpiece of the New York Film Festival.
Being his affable, laconic self is easy for the still handsome Clint, whose directing career is even surpassing his accomplishments as an actor. With such recent films as M...
Wednesday, October 1------The effects of combat take on an added dimension, caught somewhere between nightmares and surrealism, in the celebrated Israeli animated epic Waltz With Bashir. The film, which had its US Premiere at the New York Film Festival tonight, brings the viewer in the furtive and fervent imagination of director Ari Folman.
Beginning with the startling image of wild dogs running straight towards the camera, the film exists between psychological turmoil and exi...
When you have one of the most recognizable faces in film in the same room as you, there is undoubtedly a level of excitement. Clint Eastwood came to New York City today for a press conference for his new film Changeling, which serves as the centerpiece of the New York Film Festival. Being his affable, laconic self is easy for the still handsome Clint, whose directing career is even surpassing his accomplishments as an actor. With such recent films as Million Dollar Baby and Sands Of Iwo Jima, ...
I definitely do subscribe to the shitty weather theory for festival success. In short, the more dismal the weather, the better the attendance. And whether it was planned or not, this weekend's soggy, rather depressing weather has made people make a beeline for the screenings of the New York Film Festival in its first weekend. An added incentive is undoubtedly the use of the Ziegfield Theater as the Festival's main screening venue. New York City's largest single screen is being used this year as ...
One of the things that is most satisfying about the New York Film Festival is its loyalty to certain filmmakers and its interest ien rediscovering the films of cinema masters. This year, the Festival will screen a Max Ophuls romantic melodrama classic (Lola Montes, 1955), an Albert Lewin cult film (Pandora And The Flying Dutchman, 1951) and a Pakistani realist drama (The Day Shall Dawn, 1959). But its major retrospective program sidebar is devoted to the Japanese director Nagisa Oshima. The Fe...
HUNGER (Steve McQueen, UK)
Sunday, September 28--------I definitely do subscribe to the shitty weather theory for festival success. In short, the more dismal the weather, the better the attendance. And whether it was planned or not, this weekend's soggy, rather depressing weather has made people make a beeline for the screenings of the New York Film Festival in its first weekend. An added incentive is undoubtedly the use of the Ziegfield Theater as the Festival's main screen...
Saturday, September 27-----As newspapers drop local film critics and rely on syndicated national opionionmakers, what is the role of the film critic in today's go-go film culture? Can film critics help a more specialized film find its audience? Is the existence of film critics online and the notion that anyone with a blog receives instant critical entitlement dilute the discerning talents of the critical establishment?
These and other issues will be examined at the first of...
The Class (Entres Les Murs)
Friday, September 26-----The New York Film Festival, one of the oldest and most prestigious showcases of international cinema in the US, opens this evening with the US Premiere of the Cannes Palme d'Or winner, The Class by director Laurent Cantet. The film, a neo-realistic look at the crumbling standards of the French educational system, is one of several French films and co-productions that are highlighted at...
