Family of Thakurganj, Review: Nannu, Munnu and nothing New, New Referencing dozens of mafia/gangster movies made in India and the West, Family of Thakurganj glorifies crime for the major part, gets into a conscientious hiccup and sermonising after the midway mark, and ends-up offering ‘crime kills crime’ as a solution against the rot of corruption that has set in the entire fabric of the Indian police/law/politics nexus. Except for a couple of twists in the plot, there is little t...

Saheb, Biwi Aur Gangster 3, Review: Russian Roulette, House of Lords, the Nautch Girl and Privy Purses Here’s a film, about two hours long, that has some great cinematography and imaginative camera angles, impactful music, classy sets and décor, an ambience that lays the foundation of a riveting saga of ‘deceit conspiracy, greed and lust’. You wait anxiously for some great lines of dialogue, some battle of wits, some royal clashes…Alas! You wait in vain. When t...

फेmous, Review: Nothing famous infamous Some fellow critics, when emerging from the screening of a film that tests your patience and insults your intelligence, often mutter quite audibly, “Why do they make such films?” The context, quite obviously, is not existentialist, as codified by Jean Paul Sartre and other European scholars in the 1930s and 40s. Rather, it is angst that is vented out at being taken for a royal ride. A few of those who have seen such films do not review t...