|
||||||
Pro Tools
FILMFESTIVALS | 24/7 world wide coverageWelcome ! Enjoy the best of both worlds: Film & Festival News, exploring the best of the film festivals community. Launched in 1995, relentlessly connecting films to festivals, documenting and promoting festivals worldwide. Working on an upgrade soon. For collaboration, editorial contributions, or publicity, please send us an email here. User login |
Al Pacino inspires "Wilde Salome"I finally had the privilege of watching “Wilde Salome,” the film version of “Salome” aka “Salome Maybe?”, directed by Al.. In a similar fashion which he explored in “Looking for Richard”, Al digs into the depths of an Actors Studio member to give audiences the internal life of how he works. Scraping the surface and peeling the layers which make him the actor he is today. Always working from the inside to reveal the inner workings of the play and how to share this. Lucky us.
23.08.2010 | Ron Gilbert's blog Cat. : actor Actors Studio Al Pacino Al Pacino Arts Book:Al Pacino Director director of the film version Entertainment Entertainment Estelle Parsons Herod Jack Maxwell John Casale King Lee Strasberg Literature Looking for Richard Matthew Cowles New York New York City Oscar Oscar Wilde Person Career Salome Salome Maybe Shylock The Actors Studio The Merchant of Venice The Passion and Inspiration of Al Pacino Theatre Uncle Steve’s bar Venice
|
LinksThe Bulletin Board > The Bulletin Board Blog Following News Interview with EFM (Berlin) Director
Interview with IFTA Chairman (AFM)
Interview with Cannes Marche du Film Director
Filmfestivals.com dailies live coverage from > Live from India
Useful links for the indies: > Big files transfer
+ SUBSCRIBE to the weekly Newsletter Deals+ Special offers and discounts from filmfestivals.com Selected fun offers
> Bonus Casino
User imagesAbout Ron GilbertThe EditorUser contributions |
||||
Comments (1)
Mr. Pacino and Shakespeare--Merchant of Venice
My first Pacino film was "Looking For Richard." I thought it was fabulous. I spent a year at Oxford University studying British Literature with professors not unlike the ones he interviews for the movie. However, there is a nebulous connection that a really good actor makes with a character and the audience. On stage, he is able to translate a certain unspoken truth, a gravity, to an audience that all the erudite study and critical essays in the world cannot match. (btw, most of Shakespeare's contemporary fans were uneducated--many were not even literate.)
I have studied Richard III in depth. I have seen many productions. I have written more than one essay. As I watched "Looking For Richard", I was hit on the head with Newton's proverbial apple. It all made sense. Pacino understands how to translate that universal force that affects all human characters across time. Shakespeare understood it--his work is timeless. Mr Pacino also understands it.
I saw his performance of Shylock in Merchant of Venice this summer in Shakespeare in the Park. I felt that Pacino succeeded in embracing the broken, blighted, and angry, Shylock. We all know Pacino for his forceful tirades. He did not disappoint in Merchant of Venice, but he was Shylock instead of Al Pacino. In Dick Tracy, Big Boy was costumed to perfection, yet Pacino's voice gave him away every time he opened his mouth.
In Merchant, I was surprised that I heard Shylock's emotional pain--not a scruffy Pacino diatribe. His performance culminated in a painful and barbaric forced Baptism. Shylock is humiliated. His pain is foiled by the innocence of Jessica's new love and her voluntary religious conversion immediately following. This baptism is not in the text, but it illustrates a post-modern point behind the text. Truth isn't always what "proper society" wants you to perceive--civility and barbarism reside in all of us.
Anyway. Merchant of Venice is well worth the trip! Mr. Pacino will star in Merchant of Venice on Broadway for everyone who missed it this summer. I am really excited to see Al star in a film version of King Lear--my personal favorite Shakespeare play. I also want to see his interpretation of Oscar Wilde, Salome. My biggest hope is that I will have access to his more esoteric work--even though I do not live in NYC or LA. I hope that it will be made available to fans across the US and around the world.