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The Fresh Demonstrations of My Movies of Brodsky and AkhmatovaAs the feedback is so perceptible for me as the director-essayist of shortcuts dedicated to poetry and poets, I ponder that I have to add fresh annotations or at least commentaries sufficient to characterize further directions of my work as of a cinematographer. My "Carmine Frescoes of Joseph Brodsky: the Venetian Sheen" gathered a harvest of attention, and I have a bit to tell you of, concerning fresh demonstrations and the definite recognition of the genre that I invented for my up screened stories. It would suffice to say that my Russian version of the movie of Joseph Brodsky was primarily demonstrated in March, 2012, at the Central House of Literators, at the center of Moscow, within my film program "Three Eternities After All" (devoted to Akhmatova, Bobyshev and Brodsky, to their life collision and poetic background back in Leningrad). The film program was greeted and encouraged by Dm.Bobyshev, an only living protagonist of my series. I hope to soon re-demonstrate my program at the Meyerhold Center of Moscow. My French version of the movie of Akhmatova, "L'argile des mots", is still waiting for its audience. The movie is based at my Frnch poetic translations from Anna Akhmatova.
02.10.2012 | AnnaPolibina's blog Cat. : a Film of Anna Akhmatova Anna Akhmatova Anna Akhmatova Anna Polibina (director-essayist) Brodsky Brodsky CDATA Joseph Brodsky Literature Meyerhold Center of Moscow Moscow Russian literature Soviet people The Meyerhold Center of Moscow The New York Annual Festival of Russian Documentaries Three Eternities After All News
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Comments (2)
My most recent film devoted to the personality of O.Mandelstam
"The Heart Embroided With the Bleeding Sense" (2012, director-essyaist Anna Polibina-Polansky)
That is my newest work at the genre of the poetic short cul film. It is devoted to the personality of Osip Mandelstam and to the basic ties of his complicated biography. I hope that you will hear of it more, if I dare introduce it to shortcut film festivals one day. My self-drawn sketchery and my own poetry at the plots of Mandelstam are at the foundation of my idea. My self-drawm portraits of Osip and Nadezhda Mandelstam are offered at all their bizarre and rich row. The actual life collisions sound at a multi-layer consequence.
Where I offer the freshest pieces of news
So a bit more, conscerning my up screened plots and my characters.
Two days ago my English Version of the shortcut movie about Anna Akhmaova, "Those Contours Will Now Quench Within, ot The Clay of Magic Sounds" was primarily demonstrated in New York, at TribecaCinemas, at the context of the Annual New York Festaival of the Russian Documentaries supervised by Marina Adamovitch, the head of the New Review (the inheritance of Nabokov, Aldanov, Brodsky and Dovlatov, all at once).
Its official reference tells more of the movie's genre:
www.rusdocfilmfest.org/English/filmsEN.html
Also I welcome you at my page where I offer fresh news of my works and their demonstrations over the globe (the inscriptions are predominantly in Russian and English):
www.facebook.com/anna.polibina